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oapen-20.500.12657-564902022-06-02T03:28:04Z Chapter La edición de textos para las compañías hoy: algunos ejemplos del trabajo de la Compañía Nacional de Teatro Clásico VACCARI, Debora Siglo de Oro Compañía Nacional de Teatro Clásico version El perro del hortelano El burlador de Sevilla The debate about to what extent the comedia nueva can and should be modified for the contemporary scene has always been very lively. In order to understand the different positions about this issue, I study the work of the Compañía Nacional de Teatro Clásico by analyzing four versions of two different comedies, El perro del hortelano and El burlador de Sevilla, with the aim of finding out how the different adapters have worked and the way they have proceeded over time. 2022-06-01T12:25:42Z 2022-06-01T12:25:42Z 2021 chapter ONIX_20220601_9788855182249_675 2704-5919 9788855182249 https://library.oapen.org/handle/20.500.12657/56490 spa Studi e saggi application/pdf Attribution 4.0 International 15374.pdf https://books.fupress.com/doi/capitoli/978-88-5518-224-9_6 Firenze University Press 10.36253/978-88-5518-224-9.06 10.36253/978-88-5518-224-9.06 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788855182249 218 33 Florence open access
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OAPEN
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spa
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The debate about to what extent the comedia nueva can and should be modified for the contemporary scene has always been very lively. In order to understand the different positions about this issue, I study the work of the Compañía Nacional de Teatro Clásico by analyzing four versions of two different comedies, El perro del hortelano and El burlador de Sevilla, with the aim of finding out how the different adapters have worked and the way they have proceeded over time.
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15374.pdf
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| spellingShingle |
15374.pdf
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| title_short |
15374.pdf
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| title_full |
15374.pdf
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| title_fullStr |
15374.pdf
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15374.pdf
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15374.pdf
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| publisher |
Firenze University Press
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2022
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| url |
https://books.fupress.com/doi/capitoli/978-88-5518-224-9_6
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1771297465390071808
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