24972.pdf

The bivium of human life, narrated in the myth of Hercules and symbolized by the Pythagorean Y, was a recurring motif in Spanish theater since the second half of the sixteenth century. Lope de Vega already developed it in one of his most remote sacramental plays, Comedia del viaje del hombre. In Via...

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Έκδοση: Firenze University Press 2022
Διαθέσιμο Online:https://books.fupress.com/doi/capitoli/978-88-5518-467-0_7
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spelling oapen-20.500.12657-565692022-06-02T03:29:32Z Chapter Navi che portano nell’aldilà: la raffigurazione del bivium in El viaje del alma di Lope de Vega Vuelta García, Salomé El viaje del alma religious plays 16th century bivium the alegories of the ship in moderns times The bivium of human life, narrated in the myth of Hercules and symbolized by the Pythagorean Y, was a recurring motif in Spanish theater since the second half of the sixteenth century. Lope de Vega already developed it in one of his most remote sacramental plays, Comedia del viaje del hombre. In Viaje del alma, auto sacramental of Lope composed around 1599, on the occasion of the double royal wedding of Philip III with Margaret of Austria and the infanta Isabella Clara Eugenia with the archduke Albert of Austria, and published in El peregrino en su patria, the crossroads is represented through two opposing ships, of which the playwright offers us an accurate description that has its origin in the iconographic tradition in force at the time 2022-06-01T12:28:41Z 2022-06-01T12:28:41Z 2021 chapter ONIX_20220601_9788855184670_753 2704-5919 9788855184670 https://library.oapen.org/handle/20.500.12657/56569 ita Studi e saggi application/pdf Attribution 4.0 International 24972.pdf https://books.fupress.com/doi/capitoli/978-88-5518-467-0_7 Firenze University Press 10.36253/978-88-5518-467-0.07 10.36253/978-88-5518-467-0.07 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788855184670 225 20 Florence open access
institution OAPEN
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language ita
description The bivium of human life, narrated in the myth of Hercules and symbolized by the Pythagorean Y, was a recurring motif in Spanish theater since the second half of the sixteenth century. Lope de Vega already developed it in one of his most remote sacramental plays, Comedia del viaje del hombre. In Viaje del alma, auto sacramental of Lope composed around 1599, on the occasion of the double royal wedding of Philip III with Margaret of Austria and the infanta Isabella Clara Eugenia with the archduke Albert of Austria, and published in El peregrino en su patria, the crossroads is represented through two opposing ships, of which the playwright offers us an accurate description that has its origin in the iconographic tradition in force at the time
title 24972.pdf
spellingShingle 24972.pdf
title_short 24972.pdf
title_full 24972.pdf
title_fullStr 24972.pdf
title_full_unstemmed 24972.pdf
title_sort 24972.pdf
publisher Firenze University Press
publishDate 2022
url https://books.fupress.com/doi/capitoli/978-88-5518-467-0_7
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