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This book focuses on six post-apartheid novels, namely Zo¨e Wicomb's ''Playing in the Light'' (2006), Marlene van Niekerk's ''Agaat'' (2004/2007), André Brink's ''Devil's Valley'' (1998), Sarah Penny's ''T...

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Γλώσσα:English
Έκδοση: Logos Verlag Berlin 2022
id oapen-20.500.12657-56826
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spelling oapen-20.500.12657-568262023-02-01T08:50:35Z Reading Loss Demir, Danyela This book focuses on six post-apartheid novels, namely Zo¨e Wicomb's ''Playing in the Light'' (2006), Marlene van Niekerk's ''Agaat'' (2004/2007), André Brink's ''Devil's Valley'' (1998), Sarah Penny's ''The Beneficiaries'' (2002), K Sello Duiker's ''Thirteen Cents'' (2000), and Kgebetli Moele's ''Room 207'' (2006). It aims at highlighting different manifestations of melancholia that are visible in these texts in particular and in post-apartheid writing more generally. Mainly based on Sigmund Freud's, Anne Cheng's, and Paul Gilroy's concepts of melancholia, most novels are regarded as melancholic counter-narratives to the South African Truth and Reconciliation Commission's attempt to initiate a nationwide process of mourning with the aim of subsequent closure of the apartheid past. Moreover, concepts of melancholia prove particularly useful in order to analyse issues such as complicity, uncritical whiteness, crises of identity, forms of resistance, and intergenerational memory. 2022-06-18T05:41:51Z 2022-06-18T05:41:51Z 2019 book 9783832547943 https://library.oapen.org/handle/20.500.12657/56826 eng application/pdf n/a external_content.pdf Logos Verlag Berlin Logos Verlag Berlin https://doi.org/10.30819/4794 https://doi.org/10.30819/4794 1059eef5-b798-421c-b07f-c6a304d3aec8 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9783832547943 Knowledge Unlatched (KU) Logos Verlag Berlin Knowledge Unlatched open access
institution OAPEN
collection DSpace
language English
description This book focuses on six post-apartheid novels, namely Zo¨e Wicomb's ''Playing in the Light'' (2006), Marlene van Niekerk's ''Agaat'' (2004/2007), André Brink's ''Devil's Valley'' (1998), Sarah Penny's ''The Beneficiaries'' (2002), K Sello Duiker's ''Thirteen Cents'' (2000), and Kgebetli Moele's ''Room 207'' (2006). It aims at highlighting different manifestations of melancholia that are visible in these texts in particular and in post-apartheid writing more generally. Mainly based on Sigmund Freud's, Anne Cheng's, and Paul Gilroy's concepts of melancholia, most novels are regarded as melancholic counter-narratives to the South African Truth and Reconciliation Commission's attempt to initiate a nationwide process of mourning with the aim of subsequent closure of the apartheid past. Moreover, concepts of melancholia prove particularly useful in order to analyse issues such as complicity, uncritical whiteness, crises of identity, forms of resistance, and intergenerational memory.
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publisher Logos Verlag Berlin
publishDate 2022
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