9783960915973.pdf
The reception history of the term autofiction, coined by Serge Doubrovsky in 1977 and strongly polarising since then, shows that autofictional writing has been used by numerous authors in the past decades as a possibility to give explosive insights into their lives on the one hand, but to refer to a...
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Akademische Verlagsgemeinschaft München (AVM)
2022
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oapen-20.500.12657-571182022-06-28T03:09:19Z Autofiction(s) et scandale Jacobi, Claudia Ott, Christine Schönwälder, Lena narratology; literary scandal; literary provocation; intertextuality; aesthetics of scandal; sociobiography; reception authorities; writer's stage design; close reading; distant reading; autobiography bic Book Industry Communication::D Literature & literary studies::DN Prose: non-fiction The reception history of the term autofiction, coined by Serge Doubrovsky in 1977 and strongly polarising since then, shows that autofictional writing has been used by numerous authors in the past decades as a possibility to give explosive insights into their lives on the one hand, but to refer to an indeterminable ""fictional"" part of their work on the other. The underlying interferences between fictional and factual narrative strategies seem to predestine autofiction for the representation and provocation of scandal. This volume brings together contributions that illuminate the relationship between autofiction and scandal from epistemological, literary-historical and reception-aesthetic perspectives and explore ethical questions of the demarcation between public and private space. 2022-06-27T14:41:33Z 2022-06-27T14:41:33Z 2022 book 9783954771363 https://library.oapen.org/handle/20.500.12657/57118 eng fre Romanische Studien Beihefte application/pdf Attribution 4.0 International 9783960915973.pdf https://www.avm-verlag.de/detailview?no=E96091597 Akademische Verlagsgemeinschaft München (AVM) 10.23780/9783960915973 10.23780/9783960915973 3430e52c-8bfb-45f9-a490-347f0eb8a146 9783954771363 12 204 Munich open access |
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English fre |
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The reception history of the term autofiction, coined by Serge Doubrovsky in 1977 and strongly polarising since then, shows that autofictional writing has been used by numerous authors in the past decades as a possibility to give explosive insights into their lives on the one hand, but to refer to an indeterminable ""fictional"" part of their work on the other. The underlying interferences between fictional and factual narrative strategies seem to predestine autofiction for the representation and provocation of scandal. This volume brings together contributions that illuminate the relationship between autofiction and scandal from epistemological, literary-historical and reception-aesthetic perspectives and explore ethical questions of the demarcation between public and private space. |
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publisher |
Akademische Verlagsgemeinschaft München (AVM) |
publishDate |
2022 |
url |
https://www.avm-verlag.de/detailview?no=E96091597 |
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1771297575434977280 |