id |
oapen-20.500.12657-58135
|
record_format |
dspace
|
spelling |
oapen-20.500.12657-581352022-09-06T03:07:00Z The Venetian Instrumental Concerto During Vivaldi’s Time Wilk, Piotr comparative studies composer technique Concerto history of concerto Instrumental music analysis source studies stylistic studies Time Venetian Vivaldi’s Wilk bic Book Industry Communication::A The arts::AV Music::AVH Individual composers & musicians, specific bands & groups bic Book Industry Communication::A The arts::AV Music::AVA Theory of music & musicology bic Book Industry Communication::A The arts::AV Music::AVG Music: styles & genres It is the first monograph in which the concertos of all composers active in this field in the Republic of Venice in the years 1695–1740 are methodically discussed. The Venetian instrumental concerto from Vivaldi’s time is portrayed here through an extensive and thorough survey of the most complete and representative musical material that allowed for the making of conclusions as to its typology, form, style and technique. The concertos discussed here include 974 works by fifteen composers active in Venice, Brescia, Bergamo and Padua. Such an approach not only gives an exhaustive but also a more objective view on the history of the Baroque concerto in its Venetian variant. It shows Vivaldi’s work in a new and broad context, which allows us to better understand its unique character. 2022-09-05T10:44:10Z 2022-09-05T10:44:10Z 2020 book ONIX_20220905_9783631840627_38 9783631840627 9783631840634 9783631840641 9783631833254 https://library.oapen.org/handle/20.500.12657/58135 eng Eastern European Studies in Musicology application/pdf n/a 9783631840627.pdf https://www.peterlang.com/downloadpdf/title/65841 Peter Lang International Academic Publishers 10.3726/b17799 10.3726/b17799 e927e604-2954-4bf6-826b-d5ecb47c6555 9783631840627 9783631840634 9783631840641 9783631833254 21 534 Bern open access
|
institution |
OAPEN
|
collection |
DSpace
|
language |
English
|
description |
It is the first monograph in which the concertos of all composers active in this field in the Republic of Venice in the years 1695–1740 are methodically discussed. The Venetian instrumental concerto from Vivaldi’s time is portrayed here through an extensive and thorough survey of the most complete and representative musical material that allowed for the making of conclusions as to its typology, form, style and technique. The concertos discussed here include 974 works by fifteen composers active in Venice, Brescia, Bergamo and Padua. Such an approach not only gives an exhaustive but also a more objective view on the history of the Baroque concerto in its Venetian variant. It shows Vivaldi’s work in a new and broad context, which allows us to better understand its unique character.
|
title |
9783631840627.pdf
|
spellingShingle |
9783631840627.pdf
|
title_short |
9783631840627.pdf
|
title_full |
9783631840627.pdf
|
title_fullStr |
9783631840627.pdf
|
title_full_unstemmed |
9783631840627.pdf
|
title_sort |
9783631840627.pdf
|
publisher |
Peter Lang International Academic Publishers
|
publishDate |
2022
|
url |
https://www.peterlang.com/downloadpdf/title/65841
|
_version_ |
1771297619442663424
|