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oapen-20.500.12657-582452022-09-16T03:13:57Z Chapter Fonti europee e russe in Ruslan e Ljudmila di Puškin STRANO, Giacoma Puškin Ruslan i Ljudmila European literary models Russian literary models Poetics bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology In Ruslan i Ljudmila, Puškin arranges European and Russian sources in a particular dialectic system that may be seen as illustrative of his poetics. Specifically, the poema’s dedication and its theme recall the novellas of Giambattista Casti; the narrating cat in the prologue may be connected to the celebrated fables of Tieck, Perrault, and Hoffmann; events and battle scenes in the text derive from the chronicles; and Ruslan’s deeds from lubočnaja literatura. Images of the “lascivious East”, together with other eroticized descriptive passages point to the well-known models of Moore, Byron, Goethe, and Parny, while in the weave of Ruslan i Ljudmila’s individual cantos, we find quotations from Macpherson, Ozerov, and Tasso. 2022-09-15T20:06:12Z 2022-09-15T20:06:12Z 2019 chapter ONIX_20220915_9788864539102_41 2612-7679 9788864539102 https://library.oapen.org/handle/20.500.12657/58245 ita Biblioteca di Studi Slavistici application/pdf Attribution 4.0 International 978-88-6453-910-2_24.pdf https://books.fupress.com/doi/capitoli/978-88-6453-910-2_24 Firenze University Press 10.36253/978-88-6453-910-2.24 In Ruslan i Ljudmila, Puškin arranges European and Russian sources in a particular dialectic system that may be seen as illustrative of his poetics. Specifically, the poema’s dedication and its theme recall the novellas of Giambattista Casti; the narrating cat in the prologue may be connected to the celebrated fables of Tieck, Perrault, and Hoffmann; events and battle scenes in the text derive from the chronicles; and Ruslan’s deeds from lubočnaja literatura. Images of the “lascivious East”, together with other eroticized descriptive passages point to the well-known models of Moore, Byron, Goethe, and Parny, while in the weave of Ruslan i Ljudmila’s individual cantos, we find quotations from Macpherson, Ozerov, and Tasso. 10.36253/978-88-6453-910-2.24 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788864539102 43 9 Florence open access
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In Ruslan i Ljudmila, Puškin arranges European and Russian sources in a particular dialectic system that may be seen as illustrative of his poetics. Specifically, the poema’s dedication and its theme recall the novellas of Giambattista Casti; the narrating cat in the prologue may be connected to the celebrated fables of Tieck, Perrault, and Hoffmann; events and battle scenes in the text derive from the chronicles; and Ruslan’s deeds from lubočnaja literatura. Images of the “lascivious East”, together with other eroticized descriptive passages point to the well-known models of Moore, Byron, Goethe, and Parny, while in the weave of Ruslan i Ljudmila’s individual cantos, we find quotations from Macpherson, Ozerov, and Tasso.
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