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oapen-20.500.12657-582542022-09-16T03:14:03Z Chapter L’Antichità di Tadeusz Zieliński LAROCCA, Giuseppina Tadeusz Zieliński Third Slavonic Renaissance classical philology literary criticism tragedy bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology This article examines the work of Tadeusz Zieliński, philologist and scholar of Greek and Latin cultures, specifically his research devoted to Attic tragedy, to the stylistic features of Cicero, and to classical religion. Our primary focus is the evolution of Zieliński’s idea of Antiquity and its relationship with Modernity, to which end we also explore the significance of the so-called “Third Slavonic Renaissance”. 2022-09-15T20:06:28Z 2022-09-15T20:06:28Z 2019 chapter ONIX_20220915_9788864539102_50 2612-7679 9788864539102 https://library.oapen.org/handle/20.500.12657/58254 ita Biblioteca di Studi Slavistici application/pdf Attribution 4.0 International 978-88-6453-910-2_21.pdf https://books.fupress.com/doi/capitoli/978-88-6453-910-2_21 Firenze University Press 10.36253/978-88-6453-910-2.21 This article examines the work of Tadeusz Zieliński, philologist and scholar of Greek and Latin cultures, specifically his research devoted to Attic tragedy, to the stylistic features of Cicero, and to classical religion. Our primary focus is the evolution of Zieliński’s idea of Antiquity and its relationship with Modernity, to which end we also explore the significance of the so-called “Third Slavonic Renaissance”. 10.36253/978-88-6453-910-2.21 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788864539102 43 11 Florence open access
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This article examines the work of Tadeusz Zieliński, philologist and scholar of Greek and Latin cultures, specifically his research devoted to Attic tragedy, to the stylistic features of Cicero, and to classical religion. Our primary focus is the evolution of Zieliński’s idea of Antiquity and its relationship with Modernity, to which end we also explore the significance of the so-called “Third Slavonic Renaissance”.
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