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oapen-20.500.12657-582602022-09-16T03:14:06Z Chapter La presenza della cultura italiana in riviste letterarie croate tra Ottocento e Novecento Krpina, Zdravka Croatia Italy literary journals Illyrian movement Modernism bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology This work explores the relationship between Croatia and Italy in a study of literary journals extending from the period of the Illyrian movement to Modernism (1835-1903). Moving away from a national and philological approach, we focus on interculturality and imagology. Our conclusions unfold at the intersection of these two fields, as well as “at the edge of literature and philosophy” (in Derrida’s terms), where the relationship between Croatian and Italian cultural has been shaped according to various factors – literary, political, historical and also psychological. 2022-09-15T20:06:37Z 2022-09-15T20:06:37Z 2019 chapter ONIX_20220915_9788864539102_56 2612-7679 9788864539102 https://library.oapen.org/handle/20.500.12657/58260 ita Biblioteca di Studi Slavistici application/pdf Attribution 4.0 International 978-88-6453-910-2_20.pdf https://books.fupress.com/doi/capitoli/978-88-6453-910-2_20 Firenze University Press 10.36253/978-88-6453-910-2.20 This work explores the relationship between Croatia and Italy in a study of literary journals extending from the period of the Illyrian movement to Modernism (1835-1903). Moving away from a national and philological approach, we focus on interculturality and imagology. Our conclusions unfold at the intersection of these two fields, as well as “at the edge of literature and philosophy” (in Derrida’s terms), where the relationship between Croatian and Italian cultural has been shaped according to various factors – literary, political, historical and also psychological. 10.36253/978-88-6453-910-2.20 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788864539102 43 7 Florence open access
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This work explores the relationship between Croatia and Italy in a study of literary journals extending from the period of the Illyrian movement to Modernism (1835-1903). Moving away from a national and philological approach, we focus on interculturality and imagology. Our conclusions unfold at the intersection of these two fields, as well as “at the edge of literature and philosophy” (in Derrida’s terms), where the relationship between Croatian and Italian cultural has been shaped according to various factors – literary, political, historical and also psychological.
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