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oapen-20.500.12657-582652022-09-16T03:14:10Z Chapter Sguardo di confine. Qualche riflessione a partire dalla contemporaneità russa RONCHETTI, Barbara intercultural studies diversity outsideness Russia and Europe contemporary Russian literature bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology Facing the present in relation to the past, the “outsideness” of Italian Slavic studies can be seen to represent a liminal space between the self and the Other. This article discusses how the image of the Russian poet, who is capable of both satisfying a Russian quest for uniqueness and legitimizing what Western eyes often see as Russian culture’s illegibility, intersects with themes raised in the field of diversity studies. Our close analysis of texts and facts, conducted using a polycentric approach and with reference to notions of “approximation” and “contamination”, acknowledges differences as a step not towards their elimination or homogenization, but towards the “translation” into one’s own culture of voices that were originally distinct. 2022-09-15T20:06:43Z 2022-09-15T20:06:43Z 2019 chapter ONIX_20220915_9788864539102_61 2612-7679 9788864539102 https://library.oapen.org/handle/20.500.12657/58265 ita Biblioteca di Studi Slavistici application/pdf Attribution 4.0 International 978-88-6453-910-2_35.pdf https://books.fupress.com/doi/capitoli/978-88-6453-910-2_35 Firenze University Press 10.36253/978-88-6453-910-2.35 Facing the present in relation to the past, the “outsideness” of Italian Slavic studies can be seen to represent a liminal space between the self and the Other. This article discusses how the image of the Russian poet, who is capable of both satisfying a Russian quest for uniqueness and legitimizing what Western eyes often see as Russian culture’s illegibility, intersects with themes raised in the field of diversity studies. Our close analysis of texts and facts, conducted using a polycentric approach and with reference to notions of “approximation” and “contamination”, acknowledges differences as a step not towards their elimination or homogenization, but towards the “translation” into one’s own culture of voices that were originally distinct. 10.36253/978-88-6453-910-2.35 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788864539102 43 10 Florence open access
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Facing the present in relation to the past, the “outsideness” of Italian Slavic studies can be seen to represent a liminal space between the self and the Other. This article discusses how the image of the Russian poet, who is capable of both satisfying a Russian quest for uniqueness and legitimizing what Western eyes often see as Russian culture’s illegibility, intersects with themes raised in the field of diversity studies. Our close analysis of texts and facts, conducted using a polycentric approach and with reference to notions of “approximation” and “contamination”, acknowledges differences as a step not towards their elimination or homogenization, but towards the “translation” into one’s own culture of voices that were originally distinct.
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