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oapen-20.500.12657-585672022-10-13T03:08:58Z Distortion and Subversion Lopes de Barros, Rodrigo Free Fare Movement; Hardcore; Activism; Punk; Anarchism; Public Transportation; History of Brazil bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies At the turn of the twenty-first century, the Brazilian punk and hardcore music scene joined forces with political militants to foster a new social movement that demanded the universal right to free public transportation. These groups collaborated in numerous venues and media: music shows, protests, festivals, conferences, radio stations, posters, albums, slogans, and digital and printed publications. Throughout this time, the single demand for free public transportation reconceptualized notions of urban space in Brazil and led masses of people across the country to protest. This book shows how the anti-capitalist, anti-bourgeoisie stance present in the discourse of a number of Brazilian bands that performed from the late 1990s to the beginning of the twenty-first century in the underground music scenes of Florianópolis and São Paulo encountered a reverberation in the rhetoric emanating from the Campaign for the Free Fare, subsequently known as the Free Fare Movement (Movimento Passe Livre, or MPL). This allowed the engaged bands and the movement for free public transportation to contribute to each other’s development. The book also includes reflections on the Bus Revolt that occurred in the northeastern city of Salvador, unveiling traces of the punk and anarcho-punk movements, and the Revolution Carnivals that occurred in the city of Belo Horizonte, an event that mixed lectures, vegetarianism, protests, soccer, and punk rock music. 2022-10-12T10:14:20Z 2022-10-12T10:14:20Z 2022 book 9781800856141 https://library.oapen.org/handle/20.500.12657/58567 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International Lopes de Barros_9781800855687_web.pdf https://www.liverpooluniversitypress.co.uk/ Liverpool University Press 4dc2afaf-832c-43bc-9ac6-8ae6b31a53dc 3783ca1c-5274-4168-9a75-c0b38ac3e865 9781800856141 360 Liverpool Boston University BU open access
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OAPEN
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English
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At the turn of the twenty-first century, the Brazilian punk and hardcore music scene joined forces with political militants to foster a new social movement that demanded the universal right to free public transportation. These groups collaborated in numerous venues and media: music shows, protests, festivals, conferences, radio stations, posters, albums, slogans, and digital and printed publications. Throughout this time, the single demand for free public transportation reconceptualized notions of urban space in Brazil and led masses of people across the country to protest. This book shows how the anti-capitalist, anti-bourgeoisie stance present in the discourse of a number of Brazilian bands that performed from the late 1990s to the beginning of the twenty-first century in the underground music scenes of Florianópolis and São Paulo encountered a reverberation in the rhetoric emanating from the Campaign for the Free Fare, subsequently known as the Free Fare Movement (Movimento Passe Livre, or MPL). This allowed the engaged bands and the movement for free public transportation to contribute to each other’s development. The book also includes reflections on the Bus Revolt that occurred in the northeastern city of Salvador, unveiling traces of the punk and anarcho-punk movements, and the Revolution Carnivals that occurred in the city of Belo Horizonte, an event that mixed lectures, vegetarianism, protests, soccer, and punk rock music.
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Lopes de Barros_9781800855687_web.pdf
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Lopes de Barros_9781800855687_web.pdf
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Lopes de Barros_9781800855687_web.pdf
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Lopes de Barros_9781800855687_web.pdf
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Lopes de Barros_9781800855687_web.pdf
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Lopes de Barros_9781800855687_web.pdf
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lopes de barros_9781800855687_web.pdf
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publisher |
Liverpool University Press
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2022
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https://www.liverpooluniversitypress.co.uk/
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1771297545223405568
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