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oapen-20.500.12657-595542022-11-22T03:30:25Z Kognition und Reflexion: Zur Theorie filmischen Denkens Kappelhoff, Hermann Film theory understandings of film conceptual metaphor theory metaphorology bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GT Interdisciplinary studies::GTG General studies The discourse of sound motion pictures has evolved to become a cultural practice through which people attempt to grasp their subjective cognitive reality as part of a shared world. By developing a poetological theory of filmic thinking and the “cinematic metaphor,” this study shows how filmic images generate an understanding and thinking that introduces new differences and modalities into this shared reality. 2022-11-21T16:35:18Z 2022-11-21T16:35:18Z 2018 book ONIX_20221121_9783110614855_97 2509-4351 9783110614855 9783110613209 9783110613971 https://library.oapen.org/handle/20.500.12657/59554 ger Cinepoetics application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9783110614855.pdf https://www.degruyter.com/isbn/9783110614855 De Gruyter De Gruyter 10.1515/9783110614855 The discourse of sound motion pictures has evolved to become a cultural practice through which people attempt to grasp their subjective cognitive reality as part of a shared world. By developing a poetological theory of filmic thinking and the “cinematic metaphor,” this study shows how filmic images generate an understanding and thinking that introduces new differences and modalities into this shared reality. 10.1515/9783110614855 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 9783110614855 9783110613209 9783110613971 De Gruyter 6 228 Berlin/Boston open access
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