| spelling |
oapen-20.500.12657-596462022-11-22T03:33:30Z Photographing Central Asia Gorshenina, Svetlana Abashin, Sergei De Cordier, Bruno Saburova, Tatiana Central Asia Photography Image of Asia Orientalism Ethnological Photography History 1876-2019 bic Book Industry Communication::A The arts::AJ Photography & photographs The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. 2022-11-21T16:36:59Z 2022-11-21T16:36:59Z 2022 book ONIX_20221121_9783110754469_162 1661-755X 9783110754469 9783110754421 9783110754568 https://library.oapen.org/handle/20.500.12657/59646 eng Welten Süd- und Zentralasiens / Worlds of South and Inner Asia / Mondes de l'Asie du Sud et de l'Asie Centrale application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9783110754469.pdf https://www.degruyter.com/isbn/9783110754469 De Gruyter De Gruyter 10.1515/9783110754469 10.1515/9783110754469 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 57ff82ce-f7da-4082-897c-c0e517ed6dd2 c77d00e8-2dd5-445e-a081-e5883e285eef 5353b1a6-348c-4921-aec3-ef4591d4d702 40b4b942-7fa1-4129-8860-a81a4b8358d0 32a1d663-5833-4d1b-b1e6-4e191fb5c230 6a52e196-f7d9-412c-be95-fce05d057293 1ba0bfd0-c213-4769-a76a-fb7e3269bf9b dddf9d10-dd6c-4f59-a75c-7bbc9ba871ac f03c1cf1-3b2d-4274-8dbf-dbb915b6baef ba2a4b95-36d0-458f-855a-5af70115279c 9783110754469 9783110754421 9783110754568 De Gruyter 13 431 Berlin/Boston [...] [...] [...] [...] [...] [...] [...] [...] [...] [...] Universiteit Gent Ghent University Université de Genève University of Geneva open access
|
| description |
The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts.
|
