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oapen-20.500.12657-60424
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oapen-20.500.12657-604242024-03-27T14:14:58Z Chapter Introduction. An Archaeology of Modernism Méndez Baiges, María Teresa Modernism Demoiselles d'Avignon Modernist Criticism New History of Art Global History of Art thema EDItEUR::A The Arts The book meticulously analyses the history of the critical reception of avantguard art through the interpretations received by one of its greatest emblems, Les Demoiselles d'Avignon by Picasso, 1907. Since Les Demoiselles has been considered over this century the true paradigm of Modern Art, this book is, fundamentally, a sort of synthesis of the discourses about Modernism from formalism, iconology, Leo Steinberg's 'Other Criteria’, sociological, the biographical and psychoanalytical theses, cultural and historicist and lastly, the impact of post-structuralism and the feminist, post-colonialist and transnational interpretations. The final chapter deals with the artistic versions of Les Demoiselles d'Avignon made by artists. It is an essay on the different versions and identities of Modern Art and Modernism that have been produced throughout the last century. 2022-12-22T16:07:44Z 2022-12-22T16:07:44Z 2022 chapter ONIX_20221222_9788855186568_86 2704-5919 9788855186568 https://library.oapen.org/handle/20.500.12657/60424 eng Studi e saggi application/pdf Attribution 4.0 International 10_36253_978-88-5518-656-8_02.pdf https://books.fupress.com/doi/capitoli/978-88-5518-656-8_2 Firenze University Press 10.36253/978-88-5518-656-8.02 10.36253/978-88-5518-656-8.02 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788855186568 242 12 Florence open access
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OAPEN
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DSpace
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English
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| description |
The book meticulously analyses the history of the critical reception of avantguard art through the interpretations received by one of its greatest emblems, Les Demoiselles d'Avignon by Picasso, 1907. Since Les Demoiselles has been considered over this century the true paradigm of Modern Art, this book is, fundamentally, a sort of synthesis of the discourses about Modernism from formalism, iconology, Leo Steinberg's 'Other Criteria’, sociological, the biographical and psychoanalytical theses, cultural and historicist and lastly, the impact of post-structuralism and the feminist, post-colonialist and transnational interpretations. The final chapter deals with the artistic versions of Les Demoiselles d'Avignon made by artists. It is an essay on the different versions and identities of Modern Art and Modernism that have been produced throughout the last century.
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10_36253_978-88-5518-656-8_02.pdf
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| spellingShingle |
10_36253_978-88-5518-656-8_02.pdf
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| title_short |
10_36253_978-88-5518-656-8_02.pdf
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| title_full |
10_36253_978-88-5518-656-8_02.pdf
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| title_fullStr |
10_36253_978-88-5518-656-8_02.pdf
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| title_full_unstemmed |
10_36253_978-88-5518-656-8_02.pdf
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10_36253_978-88-5518-656-8_02.pdf
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| publisher |
Firenze University Press
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2022
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| url |
https://books.fupress.com/doi/capitoli/978-88-5518-656-8_2
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1799945300389920768
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