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oapen-20.500.12657-604472024-03-27T14:14:59Z Les Demoiselles d’Avignon and Modernism Méndez Baiges, Maite Les Demoiselles d’Avignon Modernism Avantguard Art Modernist Criticism thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899 thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999 The book meticulously analyses the history of the critical reception of avantguard art through the interpretations received by one of its greatest emblems, Les Demoiselles d'Avignon by Picasso, 1907. Since Les Demoiselles has been considered over this century the true paradigm of Modern Art, this book is, fundamentally, a sort of synthesis of the discourses about Modernism from formalism, iconology, Leo Steinberg's 'Other Criteria’, sociological, the biographical and psychoanalytical theses, cultural and historicist and lastly, the impact of post-structuralism and the feminist, post-colonialist and transnational interpretations. The final chapter deals with the artistic versions of Les Demoiselles d'Avignon made by artists. It is an essay on the different versions and identities of Modern Art and Modernism that have been produced throughout the last century. 2022-12-22T16:11:29Z 2022-12-22T16:11:29Z 2022 book ONIX_20221222_9788855186568_17 2704-5919 9788855186568 9788855186551 9788855186575 9788855186582 https://library.oapen.org/handle/20.500.12657/60447 eng Studi e saggi application/pdf Attribution 4.0 International 978-88-5518-656-8.pdf https://books.fupress.com/isbn/9788855186568 Firenze University Press 10.36253/978-88-5518-656-8 10.36253/978-88-5518-656-8 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788855186568 9788855186551 9788855186575 9788855186582 242 148 Florence open access
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The book meticulously analyses the history of the critical reception of avantguard art through the interpretations received by one of its greatest emblems, Les Demoiselles d'Avignon by Picasso, 1907. Since Les Demoiselles has been considered over this century the true paradigm of Modern Art, this book is, fundamentally, a sort of synthesis of the discourses about Modernism from formalism, iconology, Leo Steinberg's 'Other Criteria’, sociological, the biographical and psychoanalytical theses, cultural and historicist and lastly, the impact of post-structuralism and the feminist, post-colonialist and transnational interpretations. The final chapter deals with the artistic versions of Les Demoiselles d'Avignon made by artists. It is an essay on the different versions and identities of Modern Art and Modernism that have been produced throughout the last century.
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