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oapen-20.500.12657-606942024-03-27T14:15:04Z Afectos y violencias en la cultura latinoamericana Dhondt, Reindert Mandolessi, Silvana Zícari, Martín literature; Photographs; performances; affective theory; ugly affections; contemporary cinema thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism This volume presents an analysis of the relationship between violence and affection in Latin American culture. From an interdisciplinary perspective, the contributions that comprise it address a wide spectrum of cultural productions, including literature, film, photography, installations, and performances. The volume offers an overview of the trajectory and impact of the affective turn in the region, questioning the specificity that affective theory acquires in Latin America, while exploring the mutations of the concept of violence in the contemporary panorama. The political potential of <i>ugly</i> affects, the affective effectiveness of works of art to mobilize the viewer, the exploration of uncomfortable affective positions or affect as a deterritorialized form in contemporary cinema are some of the intersections between affections and violence that the book investigates 2023-01-18T13:55:51Z 2023-01-18T13:55:51Z 2022 book 9788491922872 9783968693095 https://library.oapen.org/handle/20.500.12657/60694 spa Nexos y Diferencias. Estudios de la Cultura de América Latina application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9783968693088 OA.pdf https://www.iberoamericana-vervuert.es/AccesoLibre.aspx Iberoamericana Vervuert 10.31819/9783968693088 10.31819/9783968693088 ddb3ae13-7f2c-4e9a-909a-11ea8fa64a23 9788491922872 9783968693095 74 313 open access
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This volume presents an analysis of the relationship between violence and affection in Latin American culture. From an interdisciplinary perspective, the contributions that comprise it address a wide spectrum of cultural productions, including literature, film, photography, installations, and performances. The volume offers an overview of the trajectory and impact of the affective turn in the region, questioning the specificity that affective theory acquires in Latin America, while exploring the mutations of the concept of violence in the contemporary panorama. The political potential of <i>ugly</i> affects, the affective effectiveness of works of art to mobilize the viewer, the exploration of uncomfortable affective positions or affect as a deterritorialized form in contemporary cinema are some of the intersections between affections and violence that the book investigates
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