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oapen-20.500.12657-607542024-03-27T14:15:05Z The Aftermaths of Participation Boersma, Susanne Participation Museum Refugees Migration Colonialism Cultural Management Museum Management Practical Museography Museum Education thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFH Migration, immigration and emigration thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PB Relating to peoples: ethnic groups, indigenous peoples, cultures and other groupings of people::5PBC Relating to migrant groups / diaspora communities or peoples How do participatory museum projects with forced migrants impact both the museum and the participants? What happens during these projects and what is left of them afterwards? Based on interviews with museum practitioners, facilitators and project participants, Susanne Boersma brings together unique insights into museum work with forced migrants. Her study of participatory projects in Germany, the Netherlands and the UK reveals museums' limiting infrastructures, the shortcomings of their ethical frameworks, and the problems of addressing forced migrants as 'communities'. Outlining the diverging objectives, experiences and outcomes of participatory projects, she suggests how these might be united in practice. 2023-01-19T22:18:10Z 2023-01-19T22:18:10Z 2022 book ONIX_20230119_9783839464113_14 9783839464113 9783837664119 https://library.oapen.org/handle/20.500.12657/60754 eng Edition Museum application/pdf Attribution 4.0 International 9783839464113.pdf transcript Verlag transcript Verlag 10.1515/9783839464113 10.1515/9783839464113 b30a6210-768f-42e6-bb84-0e6306590b5c 9783839464113 9783837664119 transcript Verlag 67 272 Bielefeld open access
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How do participatory museum projects with forced migrants impact both the museum and the participants? What happens during these projects and what is left of them afterwards? Based on interviews with museum practitioners, facilitators and project participants, Susanne Boersma brings together unique insights into museum work with forced migrants. Her study of participatory projects in Germany, the Netherlands and the UK reveals museums' limiting infrastructures, the shortcomings of their ethical frameworks, and the problems of addressing forced migrants as 'communities'. Outlining the diverging objectives, experiences and outcomes of participatory projects, she suggests how these might be united in practice.
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