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oapen-20.500.12657-608702024-03-27T14:15:07Z Chapter 3 The Cunning Linguist of Agbabi's "The Kiss" Pavlinich, Elan Erotic, Sexualities, BDSM,Middle Ages, Beowulf, Chaucer,Santiago García thema EDItEUR::N History and Archaeology thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500 I argue that the protagonist of Lil Nas X’s “Montero (Call Me By Your Name)” assumes the role of a power bottom for the purpose of delivering audiences who identify with the power-bottom role from shame, which is personified by Satan in the music video. Lil Nas X’s texts, the lyrics plus the video, empower power bottoms, and in doing so, Lil Nas X defies a long tradition of shaming the receptive male partner—a shame that is rooted in medieval ideologies. Beginning with a close reading, I analyze sexual power dynamics in the song lyrics, then the music video, before explaining how these two modes complement a narrative about sexual liberation from shame, particularly regarding the receptive male partner in sodomitic relationships. Then, compared to medieval constructions of sodomy in Peter Damian’s Liber Gomorrhianus (The Book of Gomorrah) and the Pearl Poet’s Cleanness, “Montero” is identified as a liberatory text that challenges both sexual norms and pervasive ideologies that limit the spiritual and intellectual freedoms of people of color in Western Christian traditions. “Montero” is a medievalism informed by Black Theology and queer activism to present a queer Black power bottom offering salvation from destructive social structures. 2023-01-23T11:11:21Z 2023-01-23T11:11:21Z 2023 chapter 9781032232058 9781032458748 https://library.oapen.org/handle/20.500.12657/60870 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9781003278542_10.4324_9781003278542-4.pdf Taylor & Francis Erotic Medievalisms Routledge 10.4324/9781003278542-4 10.4324/9781003278542-4 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb 032e8d5a-edf5-4ac8-aa0a-29353229b05b a6adce6b-3f26-4535-92d8-598288bff431 9781032232058 9781032458748 Routledge 27 Freie Universität Berlin Free University of Berlin open access
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I argue that the protagonist of Lil Nas X’s “Montero (Call Me By Your Name)” assumes the role of a power bottom for the purpose of delivering audiences who identify with the power-bottom role from shame, which is personified by Satan in the music video. Lil Nas X’s texts, the lyrics plus the video, empower power bottoms, and in doing so, Lil Nas X defies a long tradition of shaming the receptive male partner—a shame that is rooted in medieval ideologies. Beginning with a close reading, I analyze sexual power dynamics in the song lyrics, then the music video, before explaining how these two modes complement a narrative about sexual liberation from shame, particularly regarding the receptive male partner in sodomitic relationships. Then, compared to medieval constructions of sodomy in Peter Damian’s Liber Gomorrhianus (The Book of Gomorrah) and the Pearl Poet’s Cleanness, “Montero” is identified as a liberatory text that challenges both sexual norms and pervasive ideologies that limit the spiritual and intellectual freedoms of people of color in Western Christian traditions. “Montero” is a medievalism informed by Black Theology and queer activism to present a queer Black power bottom offering salvation from destructive social structures.
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9781003278542_10.4324_9781003278542-4.pdf
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9781003278542_10.4324_9781003278542-4.pdf
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9781003278542_10.4324_9781003278542-4.pdf
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Taylor & Francis
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2023
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1799945254575538176
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