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oapen-20.500.12657-608942024-03-27T14:15:07Z Poetic Images, Presence, and the Theater of Kenotic Rituals SEPSI, Enikő Theatre studies;Plays, playscripts;Literature: history and criticism;Poetry;Literary studies: poetry and poets;Christianity;Performing arts thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DD Plays, playscripts thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity This book explores the interrelation of contemporary French theatre and poetry. Using the pictorial turn in the various branches of art and science, its observable features, and the theoretical framework of the conceptual metaphor, this study seeks to gather together the divergent manners in which French poetry and theatre address this turn. Poetry in space and theatricality of poetry are studied alongside theatre, especially to the performative aspect of the originally theological concept of ""kenosis"". In doing so the author attempts to make use of the theological concept of kenosis, of central importance in Novarina’s oeuvre, for theatrical and dramatological purposes. Within poetic rituals, kenotic rituals are also examined in the book in a few theatrical practices – János Pilinszky and Robert Wilson, Jerzy Grotowski and Eugenio Barba – facilitating a better understanding of Novarina’s works. Accompanied by new English translations in the appendices, this is the first English language monograph related to the French essayist, dramaturg and director Valère Novarina’s theatre, and will be of great interest to students and scholars in theatre and literature studies. 2023-01-26T13:20:55Z 2023-01-26T13:20:55Z 2022 book 9780367757717 9780367757694 9781003163930 https://library.oapen.org/handle/20.500.12657/60894 eng Routledge Advances in Theatre & Performance Studies application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9781000453324.pdf Taylor & Francis Routledge 10.4324/9781003163930 10.4324/9781003163930 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb 9780367757717 9780367757694 9781003163930 Routledge 251 open access
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This book explores the interrelation of contemporary French theatre and poetry.
Using the pictorial turn in the various branches of art and science, its observable features, and the theoretical framework of the conceptual metaphor, this study seeks to gather together the divergent manners in which French poetry and theatre address this turn. Poetry in space and theatricality of poetry are studied alongside theatre, especially to the performative aspect of the originally theological concept of ""kenosis"". In doing so the author attempts to make use of the theological concept of kenosis, of central importance in Novarina’s oeuvre, for theatrical and dramatological purposes. Within poetic rituals, kenotic rituals are also examined in the book in a few theatrical practices – János Pilinszky and Robert Wilson, Jerzy Grotowski and Eugenio Barba – facilitating a better understanding of Novarina’s works.
Accompanied by new English translations in the appendices, this is the first English language monograph related to the French essayist, dramaturg and director Valère Novarina’s theatre, and will be of great interest to students and scholars in theatre and literature studies.
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