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oapen-20.500.12657-609252024-03-27T14:15:08Z Chapter 10 ‘Our voices reached the sky’ Ouzounian, Gascia Jacek; Smolicki; Soundwalking; Space; Technologies; Through; Time thema EDItEUR::A The Arts::AV Music::AVX Music recording and reproduction thema EDItEUR::S Sports and Active outdoor recreation::SZ Active outdoor pursuits::SZC Walking, hiking, trekking thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TT Other technologies and applied sciences::TTA Acoustic and sound engineering Chapter 10: This chapter examines sonic memories of the Armenian Genocide, drawing on survivors’ earwitness testimonies (testimonies describing auditory and sonic experiences of the Genocide). While visual evidence predominates in studies of genocide, this chapter makes the claim that sonic memory—as a site of historical, cultural, and affective knowledge, and as a type of memory that can be individually and collectively formed—can deepen our understanding of the historical aspects of genocide, as well as the social, psychological, and emotional dimensions of genocide. In relation to contested histories, attending to sonic memories can also be a form of ‘counterlistening’: listening against official narratives of genocide and, in the case of the Armenian Genocide, against the narrative of genocide denial that continues to be maintained by the Turkish state. This chapter suggests that the voices of Armenian Genocide victims—concealed and denied for over a century by Turkey—can nevertheless be excavated and listened to via the sonic memories of genocide survivors. In engaging with sonic memories, it draws on oral testimonies collected by Verjiné Svazlian, an Armenian ethnographer who walked from village to village in Soviet Armenia for a period of decades, collecting, recording, and transcribing some 700 survivors’ testimonies when it was not safe to do so. It contends with Svazlian’s original acts of counterlistening and ‘soundwalking’ and how they make possible a more shared or public form of listening today. More broadly, this chapter considers how sound and listening formed a part of the injuries as well as the violent tactics of the Armenian Genocide; and asks how listening to genocide can reshape our understanding of genocide and its effects. 2023-01-27T13:44:38Z 2023-01-27T13:44:38Z 2023 chapter 9781032044248 9781032044224 https://library.oapen.org/handle/20.500.12657/60925 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9781003193135_10.4324_9781003193135-11.pdf Taylor & Francis Soundwalking Routledge 10.4324/9781003193135-11 10.4324/9781003193135-11 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb 7a21618b-5129-45c1-9d8f-8efe16b811a1 4a1ea0f2-e46e-4025-bbc3-e853f4181d49 9781032044248 9781032044224 European Research Council (ERC) Routledge 18 865032 SONCITIES H2020 Excellent Science H2020 Priority Excellent Science open access
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Chapter 10: This chapter examines sonic memories of the Armenian Genocide, drawing on survivors’ earwitness testimonies (testimonies describing auditory and sonic experiences of the Genocide). While visual evidence predominates in studies of genocide, this chapter makes the claim that sonic memory—as a site of historical, cultural, and affective knowledge, and as a type of memory that can be individually and collectively formed—can deepen our understanding of the historical aspects of genocide, as well as the social, psychological, and emotional dimensions of genocide. In relation to contested histories, attending to sonic memories can also be a form of ‘counterlistening’: listening against official narratives of genocide and, in the case of the Armenian Genocide, against the narrative of genocide denial that continues to be maintained by the Turkish state. This chapter suggests that the voices of Armenian Genocide victims—concealed and denied for over a century by Turkey—can nevertheless be excavated and listened to via the sonic memories of genocide survivors. In engaging with sonic memories, it draws on oral testimonies collected by Verjiné Svazlian, an Armenian ethnographer who walked from village to village in Soviet Armenia for a period of decades, collecting, recording, and transcribing some 700 survivors’ testimonies when it was not safe to do so. It contends with Svazlian’s original acts of counterlistening and ‘soundwalking’ and how they make possible a more shared or public form of listening today. More broadly, this chapter considers how sound and listening formed a part of the injuries as well as the violent tactics of the Armenian Genocide; and asks how listening to genocide can reshape our understanding of genocide and its effects.
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9781003193135_10.4324_9781003193135-11.pdf
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9781003193135_10.4324_9781003193135-11.pdf
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Taylor & Francis
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2023
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1799945204352942080
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