9783110769012.pdf
Mapping figures in cinema as an experiential process inscribed within historically specific aesthetic regimes. The three long essays in this book explore mapping as a process of violent inscription on colonial landscapes (Malcomess) a practice of colonial racialisation through what Rancière terms a...
| Γλώσσα: | English |
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| Έκδοση: |
De Gruyter
2023
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| Διαθέσιμο Online: | https://www.degruyter.com/isbn/9783110769012 |
| id |
oapen-20.500.12657-61129 |
|---|---|
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dspace |
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oapen-20.500.12657-611292024-03-27T14:14:23Z Mapping the Sensible Carter, Erica Rositzka, Eileen Malcomess, Bettina Mapping postcolonialism cinematic experience embodied mobilities thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema Mapping figures in cinema as an experiential process inscribed within historically specific aesthetic regimes. The three long essays in this book explore mapping as a process of violent inscription on colonial landscapes (Malcomess) a practice of colonial racialisation through what Rancière terms a ‘distribution of the sensible’ (Carter) and a mode of culturally and historically located cinematic thinking (Rositzka). 2023-01-30T17:08:51Z 2023-01-30T17:08:51Z 2022 book ONIX_20230130_9783110769012_87 2626-9198 9783110769012 9783110768985 9783110769050 https://library.oapen.org/handle/20.500.12657/61129 eng Cinepoetics Essay application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9783110769012.pdf https://www.degruyter.com/isbn/9783110769012 De Gruyter De Gruyter 10.1515/9783110769012 10.1515/9783110769012 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 9783110769012 9783110768985 9783110769050 De Gruyter 3 157 Berlin/Boston open access |
| institution |
OAPEN |
| collection |
DSpace |
| language |
English |
| description |
Mapping figures in cinema as an experiential process inscribed within historically specific aesthetic regimes. The three long essays in this book explore mapping as a process of violent inscription on colonial landscapes (Malcomess) a practice of colonial racialisation through what Rancière terms a ‘distribution of the sensible’ (Carter) and a mode of culturally and historically located cinematic thinking (Rositzka). |
| title |
9783110769012.pdf |
| spellingShingle |
9783110769012.pdf |
| title_short |
9783110769012.pdf |
| title_full |
9783110769012.pdf |
| title_fullStr |
9783110769012.pdf |
| title_full_unstemmed |
9783110769012.pdf |
| title_sort |
9783110769012.pdf |
| publisher |
De Gruyter |
| publishDate |
2023 |
| url |
https://www.degruyter.com/isbn/9783110769012 |
| _version_ |
1799945288402599936 |
