humpuukia-ja-hulluutta.pdf

If the artworld is a battlefield of meanings, the fortunes of discourse did not favour avant-garde art in Finland in the 1910s. The latest trends, introduced by German and Russian artists in three pioneering exhibitions in Helsinki in 1914 and 1916, were dismissed by the Finnish press as foolish and...

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Γλώσσα:Finnish
Έκδοση: Finnish Literature Society / SKS 2023
Διαθέσιμο Online:https://doi.org/10.21435/tl.278
id oapen-20.500.12657-61382
record_format dspace
spelling oapen-20.500.12657-613822024-03-27T14:14:30Z Humpuukia ja hulluutta Siukonen, Jyrki 1910s; reception; art exhibitions; modern art; Finland thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art If the artworld is a battlefield of meanings, the fortunes of discourse did not favour avant-garde art in Finland in the 1910s. The latest trends, introduced by German and Russian artists in three pioneering exhibitions in Helsinki in 1914 and 1916, were dismissed by the Finnish press as foolish and unworthy. This book researches the contemporary reactions and contents of these exhibitions. The works shown in Helsinki included masterpieces from artists such as Chagall, Jawlensky, Kandinsky, Marc, Münter and Rozanova. Today these works can be found in the collections of leading museums in Europe, Russia and the USA. From the Finnish perspective, the turndown in the 1910s proved effective and irreversible. Never again have the local collections had similar opportunities to make a purchase. The rejection of radical international developments and emphasis on narrow nationalistic views left Finnish art lagging behind. This trend was already apparent in 1917 in St. Petersburg, where the Finnish artists were celebrated but their paintings deemed sombre and superannuated. 2023-02-20T10:40:34Z 2023-02-20T10:40:34Z 2023 book 9789518585995 9789518586008 https://library.oapen.org/handle/20.500.12657/61382 fin Tietolipas application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International humpuukia-ja-hulluutta.pdf https://doi.org/10.21435/tl.278 Finnish Literature Society / SKS 10.21435/tl.278 10.21435/tl.278 51db0f72-616d-4d86-b847-ade19380e08f 9789518585995 9789518586008 14 189 Helsinki open access
institution OAPEN
collection DSpace
language Finnish
description If the artworld is a battlefield of meanings, the fortunes of discourse did not favour avant-garde art in Finland in the 1910s. The latest trends, introduced by German and Russian artists in three pioneering exhibitions in Helsinki in 1914 and 1916, were dismissed by the Finnish press as foolish and unworthy. This book researches the contemporary reactions and contents of these exhibitions. The works shown in Helsinki included masterpieces from artists such as Chagall, Jawlensky, Kandinsky, Marc, Münter and Rozanova. Today these works can be found in the collections of leading museums in Europe, Russia and the USA. From the Finnish perspective, the turndown in the 1910s proved effective and irreversible. Never again have the local collections had similar opportunities to make a purchase. The rejection of radical international developments and emphasis on narrow nationalistic views left Finnish art lagging behind. This trend was already apparent in 1917 in St. Petersburg, where the Finnish artists were celebrated but their paintings deemed sombre and superannuated.
title humpuukia-ja-hulluutta.pdf
spellingShingle humpuukia-ja-hulluutta.pdf
title_short humpuukia-ja-hulluutta.pdf
title_full humpuukia-ja-hulluutta.pdf
title_fullStr humpuukia-ja-hulluutta.pdf
title_full_unstemmed humpuukia-ja-hulluutta.pdf
title_sort humpuukia-ja-hulluutta.pdf
publisher Finnish Literature Society / SKS
publishDate 2023
url https://doi.org/10.21435/tl.278
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