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oapen-20.500.12657-620642024-03-27T14:14:44Z Franz Kafka Corngold, Stanley Literature: history and criticism Literary theory Philosophy: logic thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSK Literary studies: fiction, novelists and prose writers In Stanley Corngold’s view, the themes and strategies of Kafka’s fiction are generated by a tension between his concern for writing and his growing sense of its arbitrary character. Analyzing Kafka’s work in light of "the necessity of form," which is also a merely formal necessity, Corngold uncovers the fundamental paradox of Kafka’s art and life. The first section of the book shows how Kafka’s rhetoric may be understood as the daring project of a man compelled to live his life as literature. In the central part of the book, Corngold reflects on the place of Kafka within the modern tradition, discussing such influential precursors of Cervantes, Flaubert, and Nietzsche, whose works display a comparable narrative disruption. Kafka’s distinctive narrative strategies, Corngold points out, demand interpretation at the same time they resist it. Critics of Kafka, he says, must be aware that their approaches are guided by the principles that Kafka’s fiction identifies, dramatizes, and rejects. ; In Stanley Corngold’s view, the themes and strategies of Kafka’s fiction are generated by a tension between his concern for writing and his growing sense of its arbitrary character. Analyzing Kafka’s work in light of "the necessity of form," which is also a merely formal necessity, Corngold uncovers the fundamental paradox of Kafka’s art and life. The first section of the book shows how Kafka’s rhetoric may be understood as the daring project of a man compelled to live his life as literature. In the central part of the book, Corngold reflects on the place of Kafka within the modern tradition, discussing such influential precursors of Cervantes, Flaubert, and Nietzsche, whose works display a comparable narrative disruption. Kafka’s distinctive narrative strategies, Corngold points out, demand interpretation at the same time they resist it. Critics of Kafka, he says, must be aware that their approaches are guided by the principles that Kafka’s fiction identifies, dramatizes, and rejects. 2023-03-29T15:49:39Z 2023-03-29T15:49:39Z 1990 book ONIX_20230329_9781501722813_50 9781501722813 9781501727795 9780801497681 9781501722820 9780801421990 https://library.oapen.org/handle/20.500.12657/62064 eng application/pdf application/epub+zip Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International 9781501722813.pdf 9781501722820.epub Cornell University Press Cornell University Press 10.7298/j0zv-1b93 10.7298/j0zv-1b93 06a447d4-1d09-460f-8b1d-3b4b09d64407 0314e571-4102-4526-b014-3ed8f2d6750a 9781501722813 9781501727795 9780801497681 9781501722820 9780801421990 Cornell University Press 348 Ithaca [...] Open Book Program National Endowment for the Humanities NEH open access
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In Stanley Corngold’s view, the themes and strategies of Kafka’s fiction are generated by a tension between his concern for writing and his growing sense of its arbitrary character. Analyzing Kafka’s work in light of "the necessity of form," which is also a merely formal necessity, Corngold uncovers the fundamental paradox of Kafka’s art and life. The first section of the book shows how Kafka’s rhetoric may be understood as the daring project of a man compelled to live his life as literature. In the central part of the book, Corngold reflects on the place of Kafka within the modern tradition, discussing such influential precursors of Cervantes, Flaubert, and Nietzsche, whose works display a comparable narrative disruption. Kafka’s distinctive narrative strategies, Corngold points out, demand interpretation at the same time they resist it. Critics of Kafka, he says, must be aware that their approaches are guided by the principles that Kafka’s fiction identifies, dramatizes, and rejects. ; In Stanley Corngold’s view, the themes and strategies of Kafka’s fiction are generated by a tension between his concern for writing and his growing sense of its arbitrary character. Analyzing Kafka’s work in light of "the necessity of form," which is also a merely formal necessity, Corngold uncovers the fundamental paradox of Kafka’s art and life. The first section of the book shows how Kafka’s rhetoric may be understood as the daring project of a man compelled to live his life as literature. In the central part of the book, Corngold reflects on the place of Kafka within the modern tradition, discussing such influential precursors of Cervantes, Flaubert, and Nietzsche, whose works display a comparable narrative disruption. Kafka’s distinctive narrative strategies, Corngold points out, demand interpretation at the same time they resist it. Critics of Kafka, he says, must be aware that their approaches are guided by the principles that Kafka’s fiction identifies, dramatizes, and rejects.
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