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oapen-20.500.12657-620832024-03-27T14:14:44Z The Other Side of the Story Hite, Molly Literature: history and criticism thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSK Literary studies: fiction, novelists and prose writers According to Molly Hite, a number of influential contemporary women novelists—notably Jean Rhys, Doris Lessing, Alice Walker, and Margaret Atwood—attempt innovations in narrative form that are more radical in their implications than the dominant modes of fictional experimentation characterized as postmodernist. In The Other Side of the Story, Hite makes the point that these innovations, which distinguish the genre she calls contemporary feminist narrative, are more radical precisely because their context is the critique of a culture and a literary tradition apprehended as profoundly masculinist. 2023-03-29T15:50:06Z 2023-03-29T15:50:06Z 1992 book ONIX_20230329_9781501726316_69 9781501726316 9781501727955 9780801421648 9781501726323 https://library.oapen.org/handle/20.500.12657/62083 eng application/pdf application/epub+zip Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International 9781501726316.pdf 9781501726323.epub http://www.cornellpress.cornell.edu/book/9780801421648/the-other-side-of-the-story Cornell University Press Cornell University Press 10.7298/fm8k-rq47 10.7298/fm8k-rq47 06a447d4-1d09-460f-8b1d-3b4b09d64407 0314e571-4102-4526-b014-3ed8f2d6750a 9781501726316 9781501727955 9780801421648 9781501726323 Cornell University Press 186 Ithaca [...] Open Book Program National Endowment for the Humanities NEH open access
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According to Molly Hite, a number of influential contemporary women novelists—notably Jean Rhys, Doris Lessing, Alice Walker, and Margaret Atwood—attempt innovations in narrative form that are more radical in their implications than the dominant modes of fictional experimentation characterized as postmodernist. In The Other Side of the Story, Hite makes the point that these innovations, which distinguish the genre she calls contemporary feminist narrative, are more radical precisely because their context is the critique of a culture and a literary tradition apprehended as profoundly masculinist.
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