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Céline Sciamma is the most visible and important feminist, and lesbian, director in contemporary international filmmaking. Her fourth feature, Portrait of a Lady on Fire, competed for the Palme d’Or at Cannes in 2019, and intervened directly in debates about the female gaze, sexuality, and specifica...

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Γλώσσα:English
Έκδοση: Edinburgh University Press 2023
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spelling oapen-20.500.12657-623392024-03-27T14:14:50Z Céline Sciamma Wilson, Emma Performing Arts Film Direction & Production thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFX Filmmaking and production: technical and background skills Céline Sciamma is the most visible and important feminist, and lesbian, director in contemporary international filmmaking. Her fourth feature, Portrait of a Lady on Fire, competed for the Palme d’Or at Cannes in 2019, and intervened directly in debates about the female gaze, sexuality, and specifically how to look at and make a portrait of young women. In her approach to female, non-binary and queer identities, she has focused on the need for agency, binding this imperative into her aesthetic choices and modes of filmmaking. This is the first book-length study of Sciamma’s films, focusing on the relationship of her work to the visual arts, and exploring the relevance of feminist theory to her unique perspective. 2023-04-12T05:33:55Z 2023-04-12T05:33:55Z 2021 book 9781474440554 9781474425483 9781474425506 https://library.oapen.org/handle/20.500.12657/62339 eng application/pdf Attribution-NonCommercial 4.0 International external_content.pdf Edinburgh University Press Edinburgh University Press 2a191404-86cd-479e-afc8-ff2b8d611a94 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781474440554 9781474425483 9781474425506 Knowledge Unlatched (KU) Edinburgh University Press Knowledge Unlatched open access
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language English
description Céline Sciamma is the most visible and important feminist, and lesbian, director in contemporary international filmmaking. Her fourth feature, Portrait of a Lady on Fire, competed for the Palme d’Or at Cannes in 2019, and intervened directly in debates about the female gaze, sexuality, and specifically how to look at and make a portrait of young women. In her approach to female, non-binary and queer identities, she has focused on the need for agency, binding this imperative into her aesthetic choices and modes of filmmaking. This is the first book-length study of Sciamma’s films, focusing on the relationship of her work to the visual arts, and exploring the relevance of feminist theory to her unique perspective.
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publisher Edinburgh University Press
publishDate 2023
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