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oapen-20.500.12657-62469
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oapen-20.500.12657-624692024-03-28T08:18:54Z Chapter 3 Participatory Storytelling Elstermann, Annika Storytelling, Barthes, readers, Paratext, Death of the author thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLF IT, Internet and electronic resources in libraries thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology This chapter introduces the idea of a postformalist aesthetic theory of reconstructing remote artefacts aesthetic statuses. The case is immune to the misgivings about aesthetic enquiry prevalent in the humanities and social sciences, since it does not assume that recovering such statuses involves experiencing the artefacts potential to provide an intrinsically rewarding gratification of the senses, of the intellect, or of both together. Postformalist aesthetics sees itself as part of a broad investigation into the nature of evaluative attitudes towards visually conspicuous artefacts. Such a broad investigation represents a necessary step towards establishing whether an object was meant to merit aesthetic attention. 2023-04-17T14:17:03Z 2023-04-17T14:17:03Z 2023 chapter 9781032422411 9781032422428 9781000826494 https://library.oapen.org/handle/20.500.12657/62469 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9781003361909_10.4324_9781003361909-4.pdf Taylor & Francis Digital Literature and Critical Theory Routledge 10.4324/9781003361909-4 10.4324/9781003361909-4 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb d3208eae-dcf8-4244-8717-65d508b518e0 9781032422411 9781032422428 9781000826494 Routledge 51 open access
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OAPEN
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English
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This chapter introduces the idea of a postformalist aesthetic theory of reconstructing remote artefacts aesthetic statuses. The case is immune to the misgivings about aesthetic enquiry prevalent in the humanities and social sciences, since it does not assume that recovering such statuses involves experiencing the artefacts potential to provide an intrinsically rewarding gratification of the senses, of the intellect, or of both together. Postformalist aesthetics sees itself as part of a broad investigation into the nature of evaluative attitudes towards visually conspicuous artefacts. Such a broad investigation represents a necessary step towards establishing whether an object was meant to merit aesthetic attention.
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9781003361909_10.4324_9781003361909-4.pdf
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9781003361909_10.4324_9781003361909-4.pdf
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| title_full |
9781003361909_10.4324_9781003361909-4.pdf
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9781003361909_10.4324_9781003361909-4.pdf
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9781003361909_10.4324_9781003361909-4.pdf
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9781003361909_10.4324_9781003361909-4.pdf
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Taylor & Francis
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2023
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1799945227716263936
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