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oapen-20.500.12657-627352024-03-28T08:18:45Z Chapter Overdose di storie. La narrazione senza fine dei social media Sordi, Paolo subject identity alterity constructivism thema EDItEUR::D Biography, Literature and Literary studies Stories are now a distinctive and established genre in social media. From Snapchat to WhatsApp, via Facebook and Instagram, more than half a billion authors (amateurs, but not only) interact with apps by composing and consuming stories that configure new literature in which alphabetic writing coexists with the growing dominance of visual language. Centered on the narrativization of the lives of the users, invited to tell and retell themselves seamlessly, the hardware architecture and software interfaces of digital devices and media seem to generate a form of addiction to narratives, a need induced in both writing and reading. In the face of such an overdose, the question remains whether those of social media are still "stories that heal" or, rather, stories that poison. 2023-05-01T13:42:15Z 2023-05-01T13:42:15Z 2022 chapter ONIX_20230501_9791221500455_151 2704-565X 9791221500455 https://library.oapen.org/handle/20.500.12657/62735 ita Moderna/Comparata application/pdf Attribution 4.0 International chapter-37328.pdf https://books.fupress.com/doi/capitoli/979-12-215-0045-5_11 Firenze University Press 10.36253/979-12-215-0045-5.11 Stories are now a distinctive and established genre in social media. From Snapchat to WhatsApp, via Facebook and Instagram, more than half a billion authors (amateurs, but not only) interact with apps by composing and consuming stories that configure new literature in which alphabetic writing coexists with the growing dominance of visual language. Centered on the narrativization of the lives of the users, invited to tell and retell themselves seamlessly, the hardware architecture and software interfaces of digital devices and media seem to generate a form of addiction to narratives, a need induced in both writing and reading. In the face of such an overdose, the question remains whether those of social media are still "stories that heal" or, rather, stories that poison. 10.36253/979-12-215-0045-5.11 bf65d21a-78e5-4ba2-983a-dbfa90962870 9791221500455 41 13 Florence open access
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Stories are now a distinctive and established genre in social media. From Snapchat to WhatsApp, via Facebook and Instagram, more than half a billion authors (amateurs, but not only) interact with apps by composing and consuming stories that configure new literature in which alphabetic writing coexists with the growing dominance of visual language. Centered on the narrativization of the lives of the users, invited to tell and retell themselves seamlessly, the hardware architecture and software interfaces of digital devices and media seem to generate a form of addiction to narratives, a need induced in both writing and reading. In the face of such an overdose, the question remains whether those of social media are still "stories that heal" or, rather, stories that poison.
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