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oapen-20.500.12657-628882024-03-28T08:18:48Z Chapter Introduction Anderson, Michael Alan Music, Medieval Studies, Medieval History, Renaissance thema EDItEUR::A The Arts::AV Music This study uncovers the musical foundations and performance suggestions of books of hours, guides to prayer that were the most popular and widespread books of the late Middle Ages. Exploring a variety of musical genres and sections of books of hours with musical implications, this book presents a richly textured sound world gleaned from dozens of extant manuscript sources from fifteenth-century France. It offers the first overview of the musical content of these handbooks to liturgy and devotional prayer, together with cues that show scribal awareness for the articulation of sacred plainchants. Although books of hours lack musical notation, this survey elucidates the full range of musical genres and styles suggested both within and beyond the liturgical offices prescribed in books of hours. Privileging sound and ritual enactment in the experience of the hours, the survey complements studies of visual imagery that have dominated the category. The book’s interdisciplinary approach within a musical context, and beautiful full-color illustrations, will attract not only specialists in musicology, liturgy, and late medieval studies, but also those more broadly interested in the history of the book, memory, performance studies, and art history. 2023-05-02T11:43:48Z 2023-05-02T11:43:48Z 2022 chapter 9780367691325 9780367691387 https://library.oapen.org/handle/20.500.12657/62888 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9781003140511_10.4324_9781003140511-1.pdf Taylor & Francis Music and Performance in the Book of Hours Routledge 10.4324/9781003140511-1 10.4324/9781003140511-1 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb f04a1873-5bcc-4a63-b184-798213a92fa0 bbce9dd2-d430-4a1b-a315-3d33f24964fc 9780367691325 9780367691387 Routledge 15 American Musicological Society American Musicological Society, Inc. open access
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English
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This study uncovers the musical foundations and performance suggestions of books of hours, guides to prayer that were the most popular and widespread books of the late Middle Ages. Exploring a variety of musical genres and sections of books of hours with musical implications, this book presents a richly textured sound world gleaned from dozens of extant manuscript sources from fifteenth-century France. It offers the first overview of the musical content of these handbooks to liturgy and devotional prayer, together with cues that show scribal awareness for the articulation of sacred plainchants. Although books of hours lack musical notation, this survey elucidates the full range of musical genres and styles suggested both within and beyond the liturgical offices prescribed in books of hours. Privileging sound and ritual enactment in the experience of the hours, the survey complements studies of visual imagery that have dominated the category. The book’s interdisciplinary approach within a musical context, and beautiful full-color illustrations, will attract not only specialists in musicology, liturgy, and late medieval studies, but also those more broadly interested in the history of the book, memory, performance studies, and art history.
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9781003140511_10.4324_9781003140511-1.pdf
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9781003140511_10.4324_9781003140511-1.pdf
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title_short |
9781003140511_10.4324_9781003140511-1.pdf
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title_full |
9781003140511_10.4324_9781003140511-1.pdf
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title_fullStr |
9781003140511_10.4324_9781003140511-1.pdf
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title_full_unstemmed |
9781003140511_10.4324_9781003140511-1.pdf
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9781003140511_10.4324_9781003140511-1.pdf
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publisher |
Taylor & Francis
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publishDate |
2023
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1799945224678539264
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