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oapen-20.500.12657-632172024-03-28T08:18:54Z Rock This Way Stanfill, Mel Music, cover song, remix, mashup, creativity, transformative works, intellectual property law, race, discourse analysis, digital humanities, originality, derivative works, music industry, Old Town Road, Blurred Lines, Weird Al Yankovic, Glee, George Clinton, Goldieblox thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLP Popular music thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNR Intellectual property law::LNRC Copyright law thema EDItEUR::A The Arts::AT Performing arts::ATL Radio / podcasts Any and all songs are capable of being remixed. But not all remixes are treated equally. Rock This Way examines transformative musical works—cover songs, remixes, mash-ups, parodies, and soundalike songs—to discover what contemporary American culture sees as legitimate when it comes to making music that builds upon other songs. Through examples of how popular discussion talked about such songs between 2009 and 2018, Mel Stanfill uses a combination of discourse analysis and digital humanities methods to interrogate our broader understanding of transformative works and where they converge at the legal, economic, and cultural ownership levels. Rock This Way provides a new way of thinking about what it means to re-create and borrow music, how the racial identity of both the reusing artist and the reused artist matters, and the ways in which the law polices artists and their works. Ultimately, Stanfill demonstrates that the extent to which a work is seen as having new expression or meaning is contingent upon notions of creativity, legitimacy, and law, all of which are shaped by white supremacy. 2023-06-06T08:00:52Z 2023-06-06T08:00:52Z 2023 book 9780472076284 9780472056286 https://library.oapen.org/handle/20.500.12657/63217 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9780472903627.pdf University of Michigan Press 10.3998/mpub.12405073 10.3998/mpub.12405073 e07ce9b5-7a46-4096-8f0c-bc1920e3d889 9780472076284 9780472056286 240 open access
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Any and all songs are capable of being remixed. But not all remixes are treated equally. Rock This Way examines transformative musical works—cover songs, remixes, mash-ups, parodies, and soundalike songs—to discover what contemporary American culture sees as legitimate when it comes to making music that builds upon other songs. Through examples of how popular discussion talked about such songs between 2009 and 2018, Mel Stanfill uses a combination of discourse analysis and digital humanities methods to interrogate our broader understanding of transformative works and where they converge at the legal, economic, and cultural ownership levels.
Rock This Way provides a new way of thinking about what it means to re-create and borrow music, how the racial identity of both the reusing artist and the reused artist matters, and the ways in which the law polices artists and their works. Ultimately, Stanfill demonstrates that the extent to which a work is seen as having new expression or meaning is contingent upon notions of creativity, legitimacy, and law, all of which are shaped by white supremacy.
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