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oapen-20.500.12657-636522023-06-22T04:46:33Z Chapter Introduction Elstermann, Annika Digital fiction, Hypertext, video games,classroom bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSB Literary studies: general bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GL Library & information sciences::GLF IT, Internet & electronic resources in libraries bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology::JHMC Social & cultural anthropology, ethnography The highly productive subfield of literary studies analysing digital fiction has so far primarily focussed on what makes these digital phenomena new and thus different from their analogue predecessors. This book takes these valuable approaches as a given and sets out to add another piece to the mosaic by instead foregrounding continuities, historical parallels, and pre-digital literary theory to analyse these seemingly new phenomena in a larger context of cultural production and human expression. This introductory chapter outlines the main aims of the book, provides an overview of the material considered in the analysis, and orients the reader in the overall structure of the following chapters. 2023-06-21T14:25:36Z 2023-06-21T14:25:36Z 2023 chapter 9781032422411 9781032422428 9781000826494 https://library.oapen.org/handle/20.500.12657/63652 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9781003361909_10.4324_9781003361909-1.pdf Taylor & Francis Digital Literature and Critical Theory Routledge 10.4324/9781003361909-1 10.4324/9781003361909-1 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb d3208eae-dcf8-4244-8717-65d508b518e0 51ab353e-7e24-4831-b528-d54333439d63 9781032422411 9781032422428 9781000826494 Routledge 12 Universität Heidelberg University of Heidelberg open access
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OAPEN
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English
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The highly productive subfield of literary studies analysing digital fiction has so far primarily focussed on what makes these digital phenomena new and thus different from their analogue predecessors. This book takes these valuable approaches as a given and sets out to add another piece to the mosaic by instead foregrounding continuities, historical parallels, and pre-digital literary theory to analyse these seemingly new phenomena in a larger context of cultural production and human expression. This introductory chapter outlines the main aims of the book, provides an overview of the material considered in the analysis, and orients the reader in the overall structure of the following chapters.
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9781003361909_10.4324_9781003361909-1.pdf
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9781003361909_10.4324_9781003361909-1.pdf
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9781003361909_10.4324_9781003361909-1.pdf
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| title_fullStr |
9781003361909_10.4324_9781003361909-1.pdf
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9781003361909_10.4324_9781003361909-1.pdf
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9781003361909_10.4324_9781003361909-1.pdf
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Taylor & Francis
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2023
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1771297549659930624
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