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oapen-20.500.12657-640392023-07-21T02:45:36Z Listening with a Feminist Ear Sundar, Pavitra accent, audiovisual contract, aural lag, Bambaiyya, body, Bollywood, Bombay cinema, cinephilia, classic qawwali, communal, cultural politics, dargah qawwali, dialogue, feminist ear, gangster genre, gender, Hindi cinema, India, inter-aural, Islamicate, item number, liberalization, language, listening, listening public, media, millennial soundwork, music, musical, musicking, nation, playback, qawwali, regional, religion, romance, sexuality, singing, somatic clause, song sequences, sound, soundtrack, soundwork, speaking, speech, Sufipop, tapori, television, voice, voicing, xenophone bic Book Industry Communication::A The arts::AV Music bic Book Industry Communication::A The arts::AV Music::AVA Theory of music & musicology bic Book Industry Communication::A The arts::AP Film, TV & radio Listening with a Feminist Ear is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries. Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women’s playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community. 2023-07-20T12:31:05Z 2023-07-20T12:31:05Z 2023 book 9780472132485 9780472039371 https://library.oapen.org/handle/20.500.12657/64039 eng application/pdf Attribution 4.0 International 9780472903665.pdf University of Michigan Press 10.3998/mpub.11713921 10.3998/mpub.11713921 e07ce9b5-7a46-4096-8f0c-bc1920e3d889 9780472132485 9780472039371 283 open access
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Listening with a Feminist Ear is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries.
Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women’s playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community.
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