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oapen-20.500.12657-640922023-07-26T02:47:46Z Chapter 2 Making of museums Kulshreshtha, Salila mahabodhi bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJF Asian history bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRG Hinduism bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRG Hinduism::HRGP Hindu life & practice bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSL Ethnic studies The chapter discusses the shift in the focus of the Archaeological Survey of India from excavation and documentation to preservation and conservation of sites and artefacts. The chapter then highlights the fate of two private collections from Bihar: the images in the Bodh Gaya Mahant’s compound and those which belonged to AM Broadley’s Bihar Museum. In the process of rediscovery while some images continued to be worshipped, a large number of these were moved into museums. The scene of actions moves to the newly constituted Museums such as the Patna Museum and the Nalanda Museum and investigates how the narratives of display, cataloguing and nomenclature presented a visual archive which codified the parameters within which religious images came to be viewed. 2023-07-25T08:12:20Z 2023-07-25T08:12:20Z 2018 chapter 9781138202498 9780367345426 https://library.oapen.org/handle/20.500.12657/64092 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9781315121215_10.4324_9781315121215-4.pdf Taylor & Francis From Temple to Museum Routledge 10.4324/9781315121215-4 10.4324/9781315121215-4 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb c2d8e5e3-d45b-491d-b68c-e5d03a1ead58 51ab353e-7e24-4831-b528-d54333439d63 9781138202498 9780367345426 Routledge 38 Universität Heidelberg University of Heidelberg open access
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OAPEN
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English
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The chapter discusses the shift in the focus of the Archaeological Survey of India from excavation and documentation to preservation and conservation of sites and artefacts. The chapter then highlights the fate of two private collections from Bihar: the images in the Bodh Gaya Mahant’s compound and those which belonged to AM Broadley’s Bihar Museum. In the process of rediscovery while some images continued to be worshipped, a large number of these were moved into museums. The scene of actions moves to the newly constituted Museums such as the Patna Museum and the Nalanda Museum and investigates how the narratives of display, cataloguing and nomenclature presented a visual archive which codified the parameters within which religious images came to be viewed.
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9781315121215_10.4324_9781315121215-4.pdf
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9781315121215_10.4324_9781315121215-4.pdf
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9781315121215_10.4324_9781315121215-4.pdf
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9781315121215_10.4324_9781315121215-4.pdf
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9781315121215_10.4324_9781315121215-4.pdf
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9781315121215_10.4324_9781315121215-4.pdf
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9781315121215_10.4324_9781315121215-4.pdf
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Taylor & Francis
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2023
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1799945217334312960
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