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oapen-20.500.12657-747022023-08-03T02:21:13Z Lope de Vega como escritor cortesano LÓPEZ LORENZO, CIPRIANO Lope de Vega, short novel, review Literary, Golden Age bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism Lope de Vega's lyrical career has been studied through different authorial masks that the poet adopts according to times and interests. Showing off the nickname by which he was known in life, the Phoenix reinvents himself and succeeds himself: poet of ballads, poet of Petrarchan songbooks, sacred, courtier, and even burlesque. Of all of them, the courtly or cultured Lope has not received the attention it deserves, since not even the masterpieces of that period have received updated critical editions. We are speaking, then, of a poet who, after the accession to the throne of Felipe IV, puts a pike in the publishing market with two works of difficult generic taxonomy: La Filomena (1621) and La Circe (1624). With them, Lope delves into literary subgenres little traveled by him, such as the Cervantine-style short novel. But what motivates such an authorial turn in the twenties? What is Lope pursuing with these two peculiar volumes and what strategies does he use to build this renewed self? This study addresses all these questions, and others of greater depth, whose hypotheses are ultimately intended to outline a clearer profile of the author in his full maturity 2023-08-02T13:31:29Z 2023-08-02T13:31:29Z 2023 book 9788491923695 9783968694719 https://library.oapen.org/handle/20.500.12657/74702 spa Clásicos Hispánicos application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9783968694726.pdf https://www.iberoamericana-vervuert.es/FichaLibro2.aspx?P1=220910 Iberoamericana Vervuert 10.31819/9783968694726 10.31819/9783968694726 7ab39869-c637-4321-bc94-01e0d1881d08 9788491923695 9783968694719 34 306 open access
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Lope de Vega's lyrical career has been studied through different authorial masks that the poet adopts according to times and interests. Showing off the nickname by which he was known in life, the Phoenix reinvents himself and succeeds himself: poet of ballads, poet of Petrarchan songbooks, sacred, courtier, and even burlesque. Of all of them, the courtly or cultured Lope has not received the attention it deserves, since not even the masterpieces of that period have received updated critical editions. We are speaking, then, of a poet who, after the accession to the throne of Felipe IV, puts a pike in the publishing market with two works of difficult generic taxonomy: La Filomena (1621) and La Circe (1624). With them, Lope delves into literary subgenres little traveled by him, such as the Cervantine-style short novel. But what motivates such an authorial turn in the twenties? What is Lope pursuing with these two peculiar volumes and what strategies does he use to build this renewed self? This study addresses all these questions, and others of greater depth, whose hypotheses are ultimately intended to outline a clearer profile of the author in his full maturity
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