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oapen-20.500.12657-747822023-08-03T13:38:39Z Chapter 7 Resisting Cultures of Inequality through Feminist Counter-Visuality Practices in Contemporary Spanish Fiction and Non- Fiction Cinema Sánchez Espinosa, Adelina Calderón Sandoval, Orianna Anthropology, social anthropology, culture, equality bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology This chapter aims to analyse feminist resistances to persuasion in visual discourse and to dissect several case studies in fiction and non-fiction Spanish films in order to highlight what we consider to be practices of feminist counter-visuality. Our theoretical genealogy starts with Adrienne Rich’s and Judith Fetterley’s claims for re-viewing and resisting readership. We then move from textual transgressions to the urge for visual transgressions expressed by feminist film theorists and practitioners. After discussing a classical example of persuasive visual discourse, Alfred Hitchcock’s Psycho, and two instances of transgressive gazing by well-known feminist filmmakers Sally Potter and Jane Campion, we bring our argument to recent Spanish fiction and non-fiction cinema and close-read scenes from seven case studies as a basis to exploring how the alternative film discourses represented within them can operate as technologies of social response-ability and accountability in face of the challenges present in the current feminist agenda in Spain. 2023-08-03T13:37:58Z 2023-08-03T13:37:58Z 2022 chapter 9781032105161 9781032138183 https://library.oapen.org/handle/20.500.12657/74782 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9781003230922_10.4324_9781003230922-7.pdf Taylor & Francis Investigating Cultures of Equality Routledge 10.4324/9781003230922-7 10.4324/9781003230922-7 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb 9575920e-ee27-4337-9050-19d017f58d6f 4b29ff5a-91d7-4951-b3ec-a5f90a380aa4 9781032105161 9781032138183 Routledge 20 P20_00337 Laboratorios de enseñanza responsable con perspectiva de género: La interacción entre culturas literarias y visuales como agente de intervención social (ResLab) Universidad de Granada University of Granada open access
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English
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This chapter aims to analyse feminist resistances to persuasion in visual discourse and to dissect several case studies in fiction and non-fiction Spanish films in order to highlight what we consider to be practices of feminist counter-visuality. Our theoretical genealogy starts with Adrienne Rich’s and Judith Fetterley’s claims for re-viewing and resisting readership. We then move from textual transgressions to the urge for visual transgressions expressed by feminist film theorists and practitioners. After discussing a classical example of persuasive visual discourse, Alfred Hitchcock’s Psycho, and two instances of transgressive gazing by well-known feminist filmmakers Sally Potter and Jane Campion, we bring our argument to recent Spanish fiction and non-fiction cinema and close-read scenes from seven case studies as a basis to exploring how the alternative film discourses represented within them can operate as technologies of social response-ability and accountability in face of the challenges present in the current feminist agenda in Spain.
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9781003230922_10.4324_9781003230922-7.pdf
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9781003230922_10.4324_9781003230922-7.pdf
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9781003230922_10.4324_9781003230922-7.pdf
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Taylor & Francis
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2023
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1799945223858552832
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