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oapen-20.500.12657-748012023-08-03T14:57:35Z Ф.М. Достоевский: Юмор, парадоксальность, демонтаж Farafonova, Daria Salmon, Laura ALOE, Stefano Dostoevsky Paradox Humor Deconstruction Comparative Studies bic Book Industry Communication::D Literature & literary studies While the analysis of humor, paradox, and deliberate deconstruction has generally occupied a marginal position in the study of Dostoevsky’s universe, it seems impossible to understand his poetics without pointed attention to these categories. The present book aims to fill the existing gap by focusing on the nature of ambivalent humor, paradoxicality, and methods of ‘de-automatizing’ consciousness through deconstruction, arguing that these are central elements in Dostoevsky’s creative arsenal. It is precisely the dialogical and paradoxical nature of his artistic method that enables such different and sometimes contradictory readings. Dostoevsky, who proclaimed «the excitement of compassion» as the secret of humor (in the ‘funny’ there is always sadness and even despair), more generally exposes in his writing the structural duality of all phenomena. 2023-08-03T14:57:33Z 2023-08-03T14:57:33Z 2023 book ONIX_20230803_9791221501223_19 2612-7679 9791221501223 9791221501216 9791221501230 9791221501247 https://library.oapen.org/handle/20.500.12657/74801 rus Biblioteca di Studi Slavistici application/pdf Attribution 4.0 International 9791221501223.pdf https://books.fupress.com/isbn/9791221501223 Firenze University Press 10.36253/979-12-215-0122-3 While the analysis of humor, paradox, and deliberate deconstruction has generally occupied a marginal position in the study of Dostoevsky’s universe, it seems impossible to understand his poetics without pointed attention to these categories. The present book aims to fill the existing gap by focusing on the nature of ambivalent humor, paradoxicality, and methods of ‘de-automatizing’ consciousness through deconstruction, arguing that these are central elements in Dostoevsky’s creative arsenal. It is precisely the dialogical and paradoxical nature of his artistic method that enables such different and sometimes contradictory readings. Dostoevsky, who proclaimed «the excitement of compassion» as the secret of humor (in the ‘funny’ there is always sadness and even despair), more generally exposes in his writing the structural duality of all phenomena. 10.36253/979-12-215-0122-3 bf65d21a-78e5-4ba2-983a-dbfa90962870 9791221501223 9791221501216 9791221501230 9791221501247 52 222 Florence open access
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While the analysis of humor, paradox, and deliberate deconstruction has generally occupied a marginal position in the study of Dostoevsky’s universe, it seems impossible to understand his poetics without pointed attention to these categories. The present book aims to fill the existing gap by focusing on the nature of ambivalent humor, paradoxicality, and methods of ‘de-automatizing’ consciousness through deconstruction, arguing that these are central elements in Dostoevsky’s creative arsenal. It is precisely the dialogical and paradoxical nature of his artistic method that enables such different and sometimes contradictory readings. Dostoevsky, who proclaimed «the excitement of compassion» as the secret of humor (in the ‘funny’ there is always sadness and even despair), more generally exposes in his writing the structural duality of all phenomena.
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