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oapen-20.500.12657-749662023-08-03T17:59:44Z Chapter Деконструкция в романах Достоевского: замыслы, планы, подготовительные материалы, основной текст Kazakov, Alexey Kotel'nikov, Vladimir Dostoevsky deconstruction dismantling paradoxicity Christian idea bic Book Industry Communication::D Literature & literary studies Deconstruction in Dostoevsky’s Novels: Ideas, Plans, Preparatory Materials, Main Text . This article examines the role of deconstruction in Dostoevsky’s novels as a technique for bringing the ideological and psychological components of images into collision. These images are imbued with complex paradoxical meaning, revealing anthropological and philosophical issues in the writer’s work. Crime and Punishment advances the theme of a need for crime in order to achieve the moral rebirth of the hero. Moving forward on this path, the novel dismantles both inner and outer limits in the space of the hero. In The Idiot, Dostoevsky links passionate and antagonistic motifs to the Christian idea, thereby deconstructing boththe entire ethical concept of Myškin and the narrative associated with it. In The Adolescent the main character is subjected to destructive motivational interventions. 2023-08-03T15:09:06Z 2023-08-03T15:09:06Z 2023 chapter ONIX_20230803_9791221501223_162 2612-7679 9791221501223 https://library.oapen.org/handle/20.500.12657/74966 rus Biblioteca di Studi Slavistici application/pdf Attribution 4.0 International 9791221501223-04.pdf https://books.fupress.com/doi/capitoli/979-12-215-0122-3_4 Firenze University Press Ф.М. Достоевский: Юмор, парадоксальность, демонтаж 10.36253/979-12-215-0122-3.04 Deconstruction in Dostoevsky’s Novels: Ideas, Plans, Preparatory Materials, Main Text . This article examines the role of deconstruction in Dostoevsky’s novels as a technique for bringing the ideological and psychological components of images into collision. These images are imbued with complex paradoxical meaning, revealing anthropological and philosophical issues in the writer’s work. Crime and Punishment advances the theme of a need for crime in order to achieve the moral rebirth of the hero. Moving forward on this path, the novel dismantles both inner and outer limits in the space of the hero. In The Idiot, Dostoevsky links passionate and antagonistic motifs to the Christian idea, thereby deconstructing boththe entire ethical concept of Myškin and the narrative associated with it. In The Adolescent the main character is subjected to destructive motivational interventions. 10.36253/979-12-215-0122-3.04 bf65d21a-78e5-4ba2-983a-dbfa90962870 Ф.М. Достоевский: Юмор, парадоксальность, демонтаж bf5768b0-3a15-46c5-b309-49f31339b93d 9791221501223 52 6 Florence open access
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Deconstruction in Dostoevsky’s Novels: Ideas, Plans, Preparatory Materials, Main Text . This article examines the role of deconstruction in Dostoevsky’s novels as a technique for bringing the ideological and psychological components of images into collision. These images are imbued with complex paradoxical meaning, revealing anthropological and philosophical issues in the writer’s work. Crime and Punishment advances the theme of a need for crime in order to achieve the moral rebirth of the hero. Moving forward on this path, the novel dismantles both inner and outer limits in the space of the hero. In The Idiot, Dostoevsky links passionate and antagonistic motifs to the Christian idea, thereby deconstructing boththe entire ethical concept of Myškin and the narrative associated with it. In The Adolescent the main character is subjected to destructive motivational interventions.
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