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oapen-20.500.12657-749782023-08-03T17:59:42Z Chapter О славянизмах в Братьях Карамазовых Barsht, Konstantin Chichkine, Andrei Dostoevsky The Brothers Karamazov Slavonicisms paradox dialogue with the Devil bic Book Industry Communication::D Literature & literary studies About Slavonicisms in The Brothers Karamazov. This work draws attention to the function of Slavonicisms in The Brothers Karamazov. In the last dialogue between Kolja Krasotkin and Alesha Karamazov, Kolja’s lines about postmortality or immortality are stylistically limited to the framework of the middle-lower register of Russian and thus exclude any metaphysical component. Alesha’s response, in contrast, is constructed in a Slavonic idiolect that belongs simultaneously to the conventional and to the mythopoetic. Another case of this appeal to the Slavonic register may be found in the dispute between Ivan and the devil regarding the recognition or denial of the incarnation of evil in the world. Claiming incarnation, Satan tries to demonstrate the equivalence of demonic and human nature. The primary instrument deployed in this argument is a Slavonicism, claimed by Satan, but which does not belong to him. 2023-08-03T15:09:45Z 2023-08-03T15:09:45Z 2023 chapter ONIX_20230803_9791221501223_174 2612-7679 9791221501223 https://library.oapen.org/handle/20.500.12657/74978 rus Biblioteca di Studi Slavistici application/pdf Attribution 4.0 International 9791221501223-16.pdf https://books.fupress.com/doi/capitoli/979-12-215-0122-3_16 Firenze University Press Ф.М. Достоевский: Юмор, парадоксальность, демонтаж 10.36253/979-12-215-0122-3.16 About Slavonicisms in The Brothers Karamazov. This work draws attention to the function of Slavonicisms in The Brothers Karamazov. In the last dialogue between Kolja Krasotkin and Alesha Karamazov, Kolja’s lines about postmortality or immortality are stylistically limited to the framework of the middle-lower register of Russian and thus exclude any metaphysical component. Alesha’s response, in contrast, is constructed in a Slavonic idiolect that belongs simultaneously to the conventional and to the mythopoetic. Another case of this appeal to the Slavonic register may be found in the dispute between Ivan and the devil regarding the recognition or denial of the incarnation of evil in the world. Claiming incarnation, Satan tries to demonstrate the equivalence of demonic and human nature. The primary instrument deployed in this argument is a Slavonicism, claimed by Satan, but which does not belong to him. 10.36253/979-12-215-0122-3.16 bf65d21a-78e5-4ba2-983a-dbfa90962870 bf5768b0-3a15-46c5-b309-49f31339b93d 9791221501223 52 10 Florence open access
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About Slavonicisms in The Brothers Karamazov. This work draws attention to the function of Slavonicisms in The Brothers Karamazov. In the last dialogue between Kolja Krasotkin and Alesha Karamazov, Kolja’s lines about postmortality or immortality are stylistically limited to the framework of the middle-lower register of Russian and thus exclude any metaphysical component. Alesha’s response, in contrast, is constructed in a Slavonic idiolect that belongs simultaneously to the conventional and to the mythopoetic. Another case of this appeal to the Slavonic register may be found in the dispute between Ivan and the devil regarding the recognition or denial of the incarnation of evil in the world. Claiming incarnation, Satan tries to demonstrate the equivalence of demonic and human nature. The primary instrument deployed in this argument is a Slavonicism, claimed by Satan, but which does not belong to him.
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