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oapen-20.500.12657-764232024-03-28T09:47:27Z Ethical Musicality Trondalen, Gro discipline Ethics Music music-philosophical discourse practice Reflexivity Ethical Musicality addresses the crossroads between music and ethics, combining philosophical knowledge, theoretical reflection, and practical understanding. When tied together, music and ethics link profoundly, offering real-life perspectives that would otherwise be inaccessible to us. The first part elucidates music and ethics through some influential and selected scholars ranging from Antiquity via modern philosophy to contemporary voices. In the second part, different roles and arenas are illustrated and explored through various music practices in real-life encounters for the musician, the music educator, the music therapist, the musicologist, the ‘lay’ musician, and the music researcher. The third part unfolds an ethical musicality focusing on the body, relationship, time, and space. Following these fundamental existentials, ethical musicality expands our lifeworld, including context, involvement, power, responsibility, sustainability, and hope. Such an ethical musicality meets us with a calling to humanity - offering hope of a ‘good life’. 2023-09-26T15:00:47Z 2023-09-26T15:00:47Z 2023 book ONIX_20230926_9781000873092_40 9781000873092 9781003218524 9781032111308 9781032111261 https://library.oapen.org/handle/20.500.12657/76423 eng Routledge Research in International Law application/pdf n/a 9781000873092.pdf Taylor & Francis Routledge 10.4324/9781003218524 10.4324/9781003218524 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb 9781000873092 9781003218524 9781032111308 9781032111261 Routledge 106 open access
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Ethical Musicality addresses the crossroads between music and ethics, combining philosophical knowledge, theoretical reflection, and practical understanding. When tied together, music and ethics link profoundly, offering real-life perspectives that would otherwise be inaccessible to us. The first part elucidates music and ethics through some influential and selected scholars ranging from Antiquity via modern philosophy to contemporary voices. In the second part, different roles and arenas are illustrated and explored through various music practices in real-life encounters for the musician, the music educator, the music therapist, the musicologist, the ‘lay’ musician, and the music researcher. The third part unfolds an ethical musicality focusing on the body, relationship, time, and space. Following these fundamental existentials, ethical musicality expands our lifeworld, including context, involvement, power, responsibility, sustainability, and hope. Such an ethical musicality meets us with a calling to humanity - offering hope of a ‘good life’.
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