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oapen-20.500.12657-76688
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oapen-20.500.12657-766882023-12-06T12:25:38Z Chapter Musea voor een betere wereld Prak, Maarten Rutten, Bart diversity museums heritage innovation bic Book Industry Communication::A The arts::AB The arts: general issues::ABA Theory of art bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFJ Social discrimination & inequality Over the last forty years, ‘the world’ has entered ‘the museum’. Collections and presentations that were supposed to be self-evident had to be reconsidered. This chapter demonstrates that two more or less simultaneous influences shaped this process in Dutch museums. On the one hand, many Dutch museums were transformed from institutions of the local or national government into independent charities and forced to take greater responsibility for their own finances. On the other hand, the social exclusivity of the collections and presentations (dominated by white males) was questioned. The article describes how museums dealt with these challenges and their sometimes contradictory implications. 2023-10-12T13:14:03Z 2023-10-12T13:14:03Z 2023 chapter ONIX_20231012_9789048560110_14 9789048560110 9789048560127 https://library.oapen.org/handle/20.500.12657/76688 dut application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 10_5117_9789048560110_prak.pdf Amsterdam University Press Transities in kunst, cultuur en politiek = Transitions in Art, Culture, and Politics 10.5117/9789048560110_prak Over the last forty years, ‘the world’ has entered ‘the museum’. Collections and presentations that were supposed to be self-evident had to be reconsidered. This chapter demonstrates that two more or less simultaneous influences shaped this process in Dutch museums. On the one hand, many Dutch museums were transformed from institutions of the local or national government into independent charities and forced to take greater responsibility for their own finances. On the other hand, the social exclusivity of the collections and presentations (dominated by white males) was questioned. The article describes how museums dealt with these challenges and their sometimes contradictory implications. 10.5117/9789048560110_prak dd3d1a33-0ac2-4cfe-a101-355ae1bd857a 95ba63c0-4a4a-4684-a56c-73ba347aa51b b586072e-2e5d-469f-8332-217c0beb5b08 4d864437-7722-4c66-b80f-140a98d4bca9 9789048560110 9789048560127 10 Amsterdam [...] [...] open access
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OAPEN
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DSpace
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Dutch
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| description |
Over the last forty years, ‘the world’ has entered ‘the museum’. Collections and presentations that were supposed to be self-evident had to be reconsidered. This chapter demonstrates that two more or less simultaneous influences shaped this process in Dutch museums. On the one hand, many Dutch museums were transformed from institutions of the local or national government into independent charities and forced to take greater responsibility for their own finances. On the other hand, the social exclusivity of the collections and presentations (dominated by white males) was questioned. The article describes how museums dealt with these challenges and their sometimes contradictory implications.
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| title |
10_5117_9789048560110_prak.pdf
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| spellingShingle |
10_5117_9789048560110_prak.pdf
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| title_short |
10_5117_9789048560110_prak.pdf
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| title_full |
10_5117_9789048560110_prak.pdf
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| title_fullStr |
10_5117_9789048560110_prak.pdf
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10_5117_9789048560110_prak.pdf
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| title_sort |
10_5117_9789048560110_prak.pdf
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| publisher |
Amsterdam University Press
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| publishDate |
2023
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1799945253607702528
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