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oapen-20.500.12657-76696
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oapen-20.500.12657-766962023-12-06T12:18:09Z Chapter Het baton-plafond Wennekes, Emile female musicians symphony orchestras Lydia Tár baton barrier bic Book Industry Communication::A The arts::AB The arts: general issues::ABA Theory of art bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFJ Social discrimination & inequality It remains very exceptional when highly gifted women musicians are crowned maestra, conductor of a symphony orchestra. There are various explanations for this deprivation. Contextualised in historical and statistical data, this article zooms in on what I refer to as the ‘baton barrier’. Not so much of an invisible boundary as has become known as the glass ceiling, preventing women their upward mobility, for ages, this musical barrier has been in our face: literally, the image, the portrayal of the traditionally masculine orchestral director. 2023-10-12T13:14:12Z 2023-10-12T13:14:12Z 2023 chapter ONIX_20231012_9789048560110_22 9789048560110 9789048560127 https://library.oapen.org/handle/20.500.12657/76696 dut application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 10_5117_9789048560110_wennekes.pdf Amsterdam University Press Transities in kunst, cultuur en politiek = Transitions in Art, Culture, and Politics 10.5117/9789048560110_wennekes It remains very exceptional when highly gifted women musicians are crowned maestra, conductor of a symphony orchestra. There are various explanations for this deprivation. Contextualised in historical and statistical data, this article zooms in on what I refer to as the ‘baton barrier’. Not so much of an invisible boundary as has become known as the glass ceiling, preventing women their upward mobility, for ages, this musical barrier has been in our face: literally, the image, the portrayal of the traditionally masculine orchestral director. 10.5117/9789048560110_wennekes dd3d1a33-0ac2-4cfe-a101-355ae1bd857a 95ba63c0-4a4a-4684-a56c-73ba347aa51b b586072e-2e5d-469f-8332-217c0beb5b08 4d864437-7722-4c66-b80f-140a98d4bca9 9789048560110 9789048560127 9 Amsterdam [...] [...] open access
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OAPEN
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DSpace
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Dutch
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| description |
It remains very exceptional when highly gifted women musicians are crowned maestra, conductor of a symphony orchestra. There are various explanations for this deprivation. Contextualised in historical and statistical data, this article zooms in on what I refer to as the ‘baton barrier’. Not so much of an invisible boundary as has become known as the glass ceiling, preventing women their upward mobility, for ages, this musical barrier has been in our face: literally, the image, the portrayal of the traditionally masculine orchestral director.
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| title |
10_5117_9789048560110_wennekes.pdf
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| spellingShingle |
10_5117_9789048560110_wennekes.pdf
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| title_short |
10_5117_9789048560110_wennekes.pdf
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| title_full |
10_5117_9789048560110_wennekes.pdf
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| title_fullStr |
10_5117_9789048560110_wennekes.pdf
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10_5117_9789048560110_wennekes.pdf
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| title_sort |
10_5117_9789048560110_wennekes.pdf
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| publisher |
Amsterdam University Press
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| publishDate |
2023
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| _version_ |
1799945226612113408
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