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oapen-20.500.12657-771132023-11-15T09:17:26Z Treasured Oases Jao, Tsung-i Lebovitz, David J. Xuantang Anthology Dunhuang Studies Dunhuang Dunhuang Poetry Old World bic Book Industry Communication::A The arts::AF Art forms bic Book Industry Communication::A The arts::AF Art forms::AFC Painting & paintings bic Book Industry Communication::D Literature & literary studies::DB Classical texts bic Book Industry Communication::D Literature & literary studies::DC Poetry bic Book Industry Communication::H Humanities::HB History bic Book Industry Communication::1 Geographical Qualifiers::1F Asia::1FP East Asia, Far East::1FPC China Dunhuang: China’s traditional northwest frontier and overland conduit of exchange with the Old World. Jao Tsung-i: China’s last great traditional man of letters, polymath, and pioneer of comparative humanistic inquiry during Hong Kong’s global heyday. Jao and Dunhuang had a special relationship that this book makes accessible in English for the first time. Inside, Jao proposes an entirely new school of Chinese landscape painting, reconsiders Dunhuang’s oldest manuscripts as its newest research field, and explores topics ranging from comparative religion to medieval multimedia. 2023-10-31T15:45:59Z 2023-10-31T15:45:59Z 2022 book ONIX_20231031_9789004522558_8 9789004522558 9789004516809 https://library.oapen.org/handle/20.500.12657/77113 eng application/pdf n/a 9789004522558.pdf https://brill.com/display/title/58494 Brill 10.1163/9789004522558 10.1163/9789004522558 af16fd4b-42a1-46ed-82e8-c5e880252026 13403985-19a1-4f66-a277-75c002c8bf19 9789004522558 9789004516809 Hong Kong Baptist University 香港浸會大學 open access
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Dunhuang: China’s traditional northwest frontier and overland conduit of exchange with the Old World. Jao Tsung-i: China’s last great traditional man of letters, polymath, and pioneer of comparative humanistic inquiry during Hong Kong’s global heyday. Jao and Dunhuang had a special relationship that this book makes accessible in English for the first time. Inside, Jao proposes an entirely new school of Chinese landscape painting, reconsiders Dunhuang’s oldest manuscripts as its newest research field, and explores topics ranging from comparative religion to medieval multimedia.
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