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oapen-20.500.12657-771872023-11-15T09:17:26Z Alan Rudolph's Trouble in Mind Flinn, Caryl Alan Rudolph, Reagan-era, film studies, American Studies, movies, 1980s, 1980s film, Trouble in Mind, Robert Altman, indie filmmaking, independent film, art film, cinema, cinematography, film, archives, independent cinema, indie, dreamy, American film, Kris Kristofferson, Keith Carradine, Lori Singer, Divine, Albert Hall, David Blocker, Toyomichi Kurita bic Book Industry Communication::A The arts::AN Theatre studies bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFN Film: styles & genres bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism Despite a career spanning over forty years, filmmaker Alan Rudolph has flown largely under the radar of independent film scholars and enthusiasts, often remembered as Robert Altman’s protégé. Through a reading of his 1985 film Trouble in Mind, Caryl Flinn demonstrates that Rudolph is long overdue for critical re-evaluation. Exploring Trouble in Mind’s influence on indie filmmaking, Rudolph’s dream-like style, and the external political influences of the Reagan era, Flinn effectively conveys the originality of Rudolph’s work through this multifaceted film. Utilizing archival materials and interviews with Rudolph himself and his collaborators, Flinn argues for this career-defining film’s relevance to American independent cinema and the decade of the 1980s. Amply illustrated with frame enlargements and set photographs, this book uncovers new production stories and reception contexts of a film that Flinn argues deserves a place in the limelight. 2023-11-02T10:50:31Z 2023-11-02T10:50:31Z 2023 book 9780472039395 https://library.oapen.org/handle/20.500.12657/77187 eng Out of the Archives application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9780472903788.pdf University of Michigan Press 10.3998/mpub.12741209 10.3998/mpub.12741209 e07ce9b5-7a46-4096-8f0c-bc1920e3d889 9780472039395 173 open access
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Despite a career spanning over forty years, filmmaker Alan Rudolph has flown largely under the radar of independent film scholars and enthusiasts, often remembered as Robert Altman’s protégé. Through a reading of his 1985 film Trouble in Mind, Caryl Flinn demonstrates that Rudolph is long overdue for critical re-evaluation.
Exploring Trouble in Mind’s influence on indie filmmaking, Rudolph’s dream-like style, and the external political influences of the Reagan era, Flinn effectively conveys the originality of Rudolph’s work through this multifaceted film. Utilizing archival materials and interviews with Rudolph himself and his collaborators, Flinn argues for this career-defining film’s relevance to American independent cinema and the decade of the 1980s. Amply illustrated with frame enlargements and set photographs, this book uncovers new production stories and reception contexts of a film that Flinn argues deserves a place in the limelight.
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