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oapen-20.500.12657-850902023-11-15T09:17:26Z New Music and Institutional Critique Grüny, Christian Farnsworth, Brandon Institutional Critique Contemporary Music Festivals New Music Musical Production bic Book Industry Communication::A The arts::AV Music bic Book Industry Communication::A The arts::AS Dance & other performing arts bic Book Industry Communication::H Humanities::HP Philosophy::HPN Philosophy: aesthetics While institutional critique has long been an important part of artistic practice and theoretical debate in the visual arts, it has long escaped attention in the field of music. This open access volume assembles for the first time an array of theoretical approaches and practical examples dealing with New Music’s institutions, their critique, and their transformations. For scholars, leaders, and practitioners alike, it offers an important overview of current developments as well as theoretical reflections about New Music and its institutions today. In this way, it provides a major contribution to the debate about the present and future of contemporary music. 2023-11-13T16:42:35Z 2023-11-13T16:42:35Z 2024 book ONIX_20231113_9783662671313_37 9783662671313 9783662671306 https://library.oapen.org/handle/20.500.12657/85090 eng Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens application/pdf n/a 978-3-662-67131-3.pdf https://link.springer.com/978-3-662-67131-3 Springer Nature J.B. Metzler 10.1007/978-3-662-67131-3 10.1007/978-3-662-67131-3 6c6992af-b843-4f46-859c-f6e9998e40d5 d4815039-28fc-4378-82ef-c4e657e6aad9 9eaaaf3f-dade-4e24-9cd3-439a7768d65d 9783662671313 9783662671306 J.B. Metzler 205 Berlin, Heidelberg [...] [...] open access
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While institutional critique has long been an important part of artistic practice and theoretical debate in the visual arts, it has long escaped attention in the field of music. This open access volume assembles for the first time an array of theoretical approaches and practical examples dealing with New Music’s institutions, their critique, and their transformations. For scholars, leaders, and practitioners alike, it offers an important overview of current developments as well as theoretical reflections about New Music and its institutions today. In this way, it provides a major contribution to the debate about the present and future of contemporary music.
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