9783732990320.pdf

Since Pierre Bourdieu, we have known that the body forms incorporated cultural and social capital. It is a commodity and means of production, a sign of belonging to a social class, a place where sex, gender and power relations are negotiated or a pretext for social exclusions and racism. The body is...

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Γλώσσα:German
French
Έκδοση: Frank & Timme 2023
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spelling oapen-20.500.12657-855452023-11-28T03:34:32Z Corps et capital dans le roman français du XIXe siècle = Körper und Kapital im französischen Roman des 19. Jahrhunderts Borst, Julia Febel, Gisela France; 19th century; dependence; Aesthetics; Women; Money; gender order; Company; Capital; Body; body staging; Les Rougon Macquart; literary studies; Fashion; Romance studies; Balzac; George Sand; Huysmans; Maupassant; Michel; Mirbeau; Virginia Woolf; Zola; Body Studies; Les Rougon-Macquart bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSB Literary studies: general::DSBF Literary studies: c 1800 to c 1900 bic Book Industry Communication::V Health & personal development::VX Mind, Body, Spirit bic Book Industry Communication::1 Geographical Qualifiers::1D Europe::1DD Western Continental Europe::1DDF France bic Book Industry Communication::2 Language qualifiers::2A Indo-European languages::2AD Romance, Italic & Rhaeto-Romanic languages::2ADF French Since Pierre Bourdieu, we have known that the body forms incorporated cultural and social capital. It is a commodity and means of production, a sign of belonging to a social class, a place where sex, gender and power relations are negotiated or a pretext for social exclusions and racism. The body is the object of punishments, sanctions and social control, a support for affects, obsessions and illnesses as well as a site of rebellion and resistance. The 19th century novels analyzed in the contributions to this volume tell all this. From the perspective of current body studies, we propose a new reading of the great stories from Balzac to Zola, via Mirbeau, Maupassant, Louise Michel, Georges Sand, Rachilde, Eugène Sue and Huysmans to demonstrate, through their texts, how the Images of the body and the policies of capital are part of the imagination and memory of 19th century French society. 2023-11-27T11:01:46Z 2023-11-27T11:01:46Z 2023 book 9783732909162 9783732990337 https://library.oapen.org/handle/20.500.12657/85545 ger fre Literaturwissenschaft application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9783732990320.pdf Frank & Timme 10.26530/20.500.12657/85545 10.26530/20.500.12657/85545 68154ca9-944b-46a4-823f-3fb31adbbb48 9783732909162 9783732990337 110 501 Berlin open access
institution OAPEN
collection DSpace
language German
French
description Since Pierre Bourdieu, we have known that the body forms incorporated cultural and social capital. It is a commodity and means of production, a sign of belonging to a social class, a place where sex, gender and power relations are negotiated or a pretext for social exclusions and racism. The body is the object of punishments, sanctions and social control, a support for affects, obsessions and illnesses as well as a site of rebellion and resistance. The 19th century novels analyzed in the contributions to this volume tell all this. From the perspective of current body studies, we propose a new reading of the great stories from Balzac to Zola, via Mirbeau, Maupassant, Louise Michel, Georges Sand, Rachilde, Eugène Sue and Huysmans to demonstrate, through their texts, how the Images of the body and the policies of capital are part of the imagination and memory of 19th century French society.
title 9783732990320.pdf
spellingShingle 9783732990320.pdf
title_short 9783732990320.pdf
title_full 9783732990320.pdf
title_fullStr 9783732990320.pdf
title_full_unstemmed 9783732990320.pdf
title_sort 9783732990320.pdf
publisher Frank & Timme
publishDate 2023
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