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oapen-20.500.12657-855752023-11-28T03:35:05Z Il tempo del diaspro. La litosfera di Luigi Meneghello Salvadori, Diego Comparative Literature Ecocriticism Lapidaries Luigi Meneghello Material Imagination bic Book Industry Communication::D Literature & literary studies In Luigi Meneghello’s work, literary representations of the mineral world play a deconstructive role, in that they authorize unprecedented and transversal readings aimed at unlocking the writer’s material and scientific imagery. Meneghello quite literally seems to have ‘stratified’ his creative work through using this imagery, from the lithogenesis of writing to the semantics of the crystal, petrifying reveries, and the effusive magma of language. The líthos is used as a ‘probe’, a hermeneutic sounding device through which to investigate cultural systems, the sedimentation of collective memory, and the role of writing itself, and it functions as a privileged access key to the author’s poetics. 2023-11-27T17:05:05Z 2023-11-27T17:05:05Z 2023 book ONIX_20231127_9791221501483_4 2420-8361 9791221501483 9791221501490 https://library.oapen.org/handle/20.500.12657/85575 ita Biblioteca di Studi di Filologia Moderna application/pdf Attribution 4.0 International 38201.pdf https://books.fupress.com/isbn/9791221501483 Firenze University Press 10.36253/979-12-215-0148-3 In Luigi Meneghello’s work, literary representations of the mineral world play a deconstructive role, in that they authorize unprecedented and transversal readings aimed at unlocking the writer’s material and scientific imagery. Meneghello quite literally seems to have ‘stratified’ his creative work through using this imagery, from the lithogenesis of writing to the semantics of the crystal, petrifying reveries, and the effusive magma of language. The líthos is used as a ‘probe’, a hermeneutic sounding device through which to investigate cultural systems, the sedimentation of collective memory, and the role of writing itself, and it functions as a privileged access key to the author’s poetics. 10.36253/979-12-215-0148-3 bf65d21a-78e5-4ba2-983a-dbfa90962870 9791221501483 9791221501490 73 134 Florence open access
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In Luigi Meneghello’s work, literary representations of the mineral world play a deconstructive role, in that they authorize unprecedented and transversal readings aimed at unlocking the writer’s material and scientific imagery. Meneghello quite literally seems to have ‘stratified’ his creative work through using this imagery, from the lithogenesis of writing to the semantics of the crystal, petrifying reveries, and the effusive magma of language. The líthos is used as a ‘probe’, a hermeneutic sounding device through which to investigate cultural systems, the sedimentation of collective memory, and the role of writing itself, and it functions as a privileged access key to the author’s poetics.
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