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oapen-20.500.12657-855862023-11-28T03:35:47Z Restauri e musei Giusti, Francesca Pisa Sanpaolesi museography museology restauration bic Book Industry Communication::A The arts::AB The arts: general issues::ABC Conservation, restoration & care of artworks The gaze of the Grand Tour travellers on the Lungarni of Pisa, in the background of the nineteenth-century process of transformation of the banks and buildings that surround it, helping to define its cultural vocation. The turning point coincided with the second post-war period and began with the conversion of the former convent of San Matteo into a national museum, designed by Piero Sanpaolesi. The project is part of the international debate on culture and museum practice, offering important topics for reflection on the relationship between restoration and musealization, museums, city and recovery of river banks. With the theory of museums in diachronic continuity and contiguity of path (Palazzo Reale, Palazzo Lanfranchi, Palazzo Blu, Navi di Pisa and science), the concept of 'system' takes shape, as a set of multiple museums, between them different, but united by the link with the territory that welcomes them, represented by the Arno that crosses the city and its history. 2023-11-27T17:05:21Z 2023-11-27T17:05:21Z 2023 book ONIX_20231127_9791221501926_15 2975-0350 9791221501926 9791221501919 9791221501933 https://library.oapen.org/handle/20.500.12657/85586 ita Ricerche. Architettura, Pianificazione, Paesaggio, Design application/pdf Attribution-NonCommercial-ShareAlike 4.0 International 38388.pdf https://books.fupress.com/isbn/9791221501926 Firenze University Press 10.36253/979-12-215-0192-6 The gaze of the Grand Tour travellers on the Lungarni of Pisa, in the background of the nineteenth-century process of transformation of the banks and buildings that surround it, helping to define its cultural vocation. The turning point coincided with the second post-war period and began with the conversion of the former convent of San Matteo into a national museum, designed by Piero Sanpaolesi. The project is part of the international debate on culture and museum practice, offering important topics for reflection on the relationship between restoration and musealization, museums, city and recovery of river banks. With the theory of museums in diachronic continuity and contiguity of path (Palazzo Reale, Palazzo Lanfranchi, Palazzo Blu, Navi di Pisa and science), the concept of 'system' takes shape, as a set of multiple museums, between them different, but united by the link with the territory that welcomes them, represented by the Arno that crosses the city and its history. 10.36253/979-12-215-0192-6 bf65d21a-78e5-4ba2-983a-dbfa90962870 9791221501926 9791221501919 9791221501933 26 216 Florence open access
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The gaze of the Grand Tour travellers on the Lungarni of Pisa, in the background of the nineteenth-century process of transformation of the banks and buildings that surround it, helping to define its cultural vocation. The turning point coincided with the second post-war period and began with the conversion of the former convent of San Matteo into a national museum, designed by Piero Sanpaolesi. The project is part of the international debate on culture and museum practice, offering important topics for reflection on the relationship between restoration and musealization, museums, city and recovery of river banks. With the theory of museums in diachronic continuity and contiguity of path (Palazzo Reale, Palazzo Lanfranchi, Palazzo Blu, Navi di Pisa and science), the concept of 'system' takes shape, as a set of multiple museums, between them different, but united by the link with the territory that welcomes them, represented by the Arno that crosses the city and its history.
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