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oapen-20.500.12657-856842023-12-01T02:25:23Z Vita di un monumento Cimadomo, Paolo Griffo, Marika nymphaeum of Egeria, 3D documentation, HBIM, data integration, Herodes Atticus, Caffarella bic Book Industry Communication::A The arts::AM Architecture bic Book Industry Communication::A The arts::AM Architecture::AMG Public buildings: civic, commercial, industrial, etc::AMGD Memorials, monuments bic Book Industry Communication::1 Geographical Qualifiers::1Q Other geographical groupings, oceans & seas::1QD Empires & historical states::1QDA Ancient World::1QDAR Ancient Rome bic Book Industry Communication::W Lifestyle, sport & leisure::WT Travel & holiday::WTH Travel & holiday guides::WTHM Museum, historic sites, gallery & art guides "Vita di un monumento" traces the processes of transformation that engaged the so-called Nymphaeum of Egeria in the Caffarella Valley in Rome. The volume begins with the analysis of the historical, geographical, and archaeological background before moving onto an examination of the monument in its current form, from its construction to its reuse and refunctionalisation over time. The text organizes the current documentation and draws attention to the features of the building. After tracing the historical, architectural, and functional development, it highlights the contribution of various virtual representation and reconstruction methodologies and approaches targeted at a thorough study of the Nymphaeum itself. This development aims to portray the process of surveying, developing, and combining heterogeneous data into two- and three-dimensional models, capable of providing a critical interpretation of the monument and facilitating multidisciplinary research. The volume concludes with a selection of the most important graphic representations of the Nymphaeum, dating from the first records to the end of the 19th century. Following the issues discussed within the book, the plates integrate historical and archaeological issues ¬– related to the study of sources of human past – with questions of representation as a tool for knowledge. 2023-11-30T21:02:28Z 2023-11-30T21:02:28Z 2023 book ONIX_20231130_9788835150817_8 9788835150817 https://library.oapen.org/handle/20.500.12657/85684 ita Forme del disegno application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9788835150817.pdf https://series.francoangeli.it/index.php/oa/catalog/view/920/774/5311 FrancoAngeli "Vita di un monumento" traces the processes of transformation that engaged the so-called Nymphaeum of Egeria in the Caffarella Valley in Rome. The volume begins with the analysis of the historical, geographical, and archaeological background before moving onto an examination of the monument in its current form, from its construction to its reuse and refunctionalisation over time. The text organizes the current documentation and draws attention to the features of the building. After tracing the historical, architectural, and functional development, it highlights the contribution of various virtual representation and reconstruction methodologies and approaches targeted at a thorough study of the Nymphaeum itself. This development aims to portray the process of surveying, developing, and combining heterogeneous data into two- and three-dimensional models, capable of providing a critical interpretation of the monument and facilitating multidisciplinary research. The volume concludes with a selection of the most important graphic representations of the Nymphaeum, dating from the first records to the end of the 19th century. Following the issues discussed within the book, the plates integrate historical and archaeological issues ¬– related to the study of sources of human past – with questions of representation as a tool for knowledge. e2ddfb5e-9202-4851-8afe-1e09b020b018 9788835150817 267 Milan open access
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"Vita di un monumento" traces the processes of transformation that engaged the so-called Nymphaeum of Egeria in the Caffarella Valley in Rome. The volume begins with the analysis of the historical, geographical, and archaeological background before moving onto an examination of the monument in its current form, from its construction to its reuse and refunctionalisation over time. The text organizes the current documentation and draws attention to the features of the building. After tracing the historical, architectural, and functional development, it highlights the contribution of various virtual representation and reconstruction methodologies and approaches targeted at a thorough study of the Nymphaeum itself. This development aims to portray the process of surveying, developing, and combining heterogeneous data into two- and three-dimensional models, capable of providing a critical interpretation of the monument and facilitating multidisciplinary research. The volume concludes with a selection of the most important graphic representations of the Nymphaeum, dating from the first records to the end of the 19th century. Following the issues discussed within the book, the plates integrate historical and archaeological issues ¬– related to the study of sources of human past – with questions of representation as a tool for knowledge.
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