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oapen-20.500.12657-857862023-12-06T11:03:52Z Mongol Court Dress, Identity Formation, and Global Exchange Shea, Eiren aesthetics;art;art history;Central Asia;China;Chinese art;ceramics;conquer;costume;courtiers;dress;dynasty;Eurasia;Europe;elite;emperor;fashion;gifting;global exchange;hunting;Ilkhans;identity;imperialism;Jin;Khubilai;Liao;Mamluks;Middle East;Mongol empire;Mongol motifs bic Book Industry Communication::A The arts::AC History of art / art & design styles bic Book Industry Communication::A The arts::AB The arts: general issues bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJF Asian history bic Book Industry Communication::H Humanities::HB History::HBT History: specific events & topics::HBTQ Colonialism & imperialism The Mongol period (1206-1368) marked a major turning point of exchange – culturally, politically, and artistically – across Eurasia. The wide-ranging international exchange that occurred during the Mongol period is most apparent visually through the inclusion of Mongol motifs in textile, paintings, ceramics, and metalwork, among other media. Eiren Shea investigates how a group of newly-confederated tribes from the steppe conquered the most sophisticated societies in existence in less than a century, creating a courtly idiom that permanently changed the aesthetics of China and whose echoes were felt across Central Asia, the Middle East, and even Europe. This book will be of interest to scholars in art history, fashion design, and Asian studies. 2023-12-06T11:03:20Z 2023-12-06T11:03:20Z 2020 book 9781032238432 9780367356187 9780429340659 https://library.oapen.org/handle/20.500.12657/85786 eng Routledge Research in Art History application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9781000027433.pdf Taylor & Francis Routledge 10.4324/9780429340659 10.4324/9780429340659 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb 9781032238432 9780367356187 9780429340659 Routledge 207 open access
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The Mongol period (1206-1368) marked a major turning point of exchange – culturally, politically, and artistically – across Eurasia.
The wide-ranging international exchange that occurred during the Mongol period is most apparent visually through the inclusion of Mongol motifs in textile, paintings, ceramics, and metalwork, among other media. Eiren Shea investigates how a group of newly-confederated tribes from the steppe conquered the most sophisticated societies in existence in less than a century, creating a courtly idiom that permanently changed the aesthetics of China and whose echoes were felt across Central Asia, the Middle East, and even Europe.
This book will be of interest to scholars in art history, fashion design, and Asian studies.
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