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oapen-20.500.12657-862622023-12-23T02:34:52Z De Nederlandse zeeschilderkunst in de negentiende eeuw Bosman, Cécile nineteenth century, the Netherlands, marine painting, art history, cultural nationalism bic Book Industry Communication::1 Geographical Qualifiers::1D Europe::1DD Western Continental Europe::1DDN Netherlands bic Book Industry Communication::2 Language qualifiers::2A Indo-European languages::2AC Germanic & Scandinavian languages::2ACD Dutch bic Book Industry Communication::3 Time periods qualifiers::3J Modern period, c 1500 onwards::3JH c 1800 to c 1900 bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACV History of art & design styles: c 1800 to c 1900 bic Book Industry Communication::H Humanities::HB History::HBT History: specific events & topics::HBTB Social & cultural history Marine painting, paintings of ships and the sea, is a four hundred year old traditional Dutch art discipline. In the nineteenth century the genre had a special artistic prestige and status. This study explores the background, training, studio practice, stylistic development and subject matters of the Dutch nineteenth-century marine painter. A Reference List of Marine Painters, which is a new overview of the true specialists in the genre in this period, is added. The key question is how marine painting was looked at by the marine painters themselves, their fellow painters at the artists associations, in art theory and in art criticism. It turns out that within Dutch art circles throughout the nineteenth century, marine painting was perceived as a bearer of national pride. By placing the genre in a broader cultural-historical context it reveals how marine painting, together with the glorification of maritime history, was embedded in nationalist ideology. 2023-12-20T14:54:25Z 2023-12-20T14:54:25Z 2024 book 9789048561957 https://library.oapen.org/handle/20.500.12657/86262 dut application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 978-90-4856-196-4.pdf Amsterdam University Press dd3d1a33-0ac2-4cfe-a101-355ae1bd857a 9789048561957 290 Amsterdam open access
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Marine painting, paintings of ships and the sea, is a four hundred year old traditional Dutch art discipline. In the nineteenth century the genre had a special artistic prestige and status. This study explores the background, training, studio practice, stylistic development and subject matters of the Dutch nineteenth-century marine painter. A Reference List of Marine Painters, which is a new overview of the true specialists in the genre in this period, is added. The key question is how marine painting was looked at by the marine painters themselves, their fellow painters at the artists associations, in art theory and in art criticism. It turns out that within Dutch art circles throughout the nineteenth century, marine painting was perceived as a bearer of national pride. By placing the genre in a broader cultural-historical context it reveals how marine painting, together with the glorification of maritime history, was embedded in nationalist ideology.
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