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oapen-20.500.12657-868582024-01-15T17:31:25Z Kunst als Spiegel realer, virtueller und imaginärer Welten Drees, Stefan Kogler, Susanne Olga Neuwirth; operas; theatre music; films; vocal; instrumental and electronic music; composer bic Book Industry Communication::A The arts::AV Music bic Book Industry Communication::A The arts::AV Music::AVH Individual composers & musicians, specific bands & groups bic Book Industry Communication::A The arts::AV Music::AVQ Musical scores, lyrics & libretti bic Book Industry Communication::D Literature & literary studies::DD Plays, playscripts Olga Neuwirth's works are characterised by socio-political statements and great artistic openness. With installations, videos, operas, theatre music, films, vocal, instrumental and electronic music, she serves a wealth of genres whose boundaries are constantly being expanded and transcended. From Neuwirth's earliest works onwards, film, video, electronics and installation elements have found their way into genres such as chamber music, oratorio and opera. Neuwirth's works call for an examination of identity and memory, stability and processuality as well as utopia and dystopia. Many current aesthetic and philosophical discussions are thus reflected in her artistic work. The contributions in this volume aim to illuminate the artist's oeuvre in all its complexity and richness of relationships and to explore different - intermedial, music-historical and socio-critical - contexts. 2024-01-15T14:33:23Z 2024-01-15T14:33:23Z 2020 book 9783701104499 https://library.oapen.org/handle/20.500.12657/86858 ger Fokus Musik. Musikwissenschaftliche Beiträge der Kunstuniversität Graz application/pdf Attribution 4.0 International Neuwirth.pdf https://uni.leykamverlag.at/produkt/kunst-als-spiegel-realer-virtueller-und-imaginaerer-welten/ Leykam Buchverlag Leykam Universitätsverlag 10.56560/isbn.978-3-7011-0532-8 10.56560/isbn.978-3-7011-0532-8 3bec0cfe-2eb0-48c1-9d8f-fa00ce13bc86 9783701104499 Leykam Universitätsverlag 1 233 open access
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Olga Neuwirth's works are characterised by socio-political statements and great artistic openness. With installations, videos, operas, theatre music, films, vocal, instrumental and electronic music, she serves a wealth of genres whose boundaries are constantly being expanded and transcended.
From Neuwirth's earliest works onwards, film, video, electronics and installation elements have found their way into genres such as chamber music, oratorio and opera. Neuwirth's works call for an examination of identity and memory, stability and processuality as well as utopia and dystopia. Many current aesthetic and philosophical discussions are thus reflected in her artistic work. The contributions in this volume aim to illuminate the artist's oeuvre in all its complexity and richness of relationships and to explore different - intermedial, music-historical and socio-critical - contexts.
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