9789004512436.pdf
The songs of the Royal Zhōu (“Zhōu Nán” 周南) and of the Royal Shào (“Shào Nán” 召南) have formed a conceptual unit since at least the late Spring and Autumn period (771–453 BC). With this book Meyer and Schwartz provide a first complete reading of their earliest, Warring States (453–221 BC), iteration...
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Brill
2024
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oapen-20.500.12657-871032024-03-28T14:03:02Z Songs of the Royal Zhōu and the Royal Shào Meyer, Dirk Schwartz, Adam Craig Zhōu Nán Shào Nán Warring States Ānhuī Ānhuī University thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry The songs of the Royal Zhōu (“Zhōu Nán” 周南) and of the Royal Shào (“Shào Nán” 召南) have formed a conceptual unit since at least the late Spring and Autumn period (771–453 BC). With this book Meyer and Schwartz provide a first complete reading of their earliest, Warring States (453–221 BC), iteration as witnessed by the Ānhuī University manuscripts. As a thought experiment, the authors seek to establish an emic reading of these songs, which they contextualise in the larger framework of studies of the Shī (Songs) and of meaning production during the Warring States period more broadly. The analysis casts light on how the Songs were used by different groups during the Warring States period. 2024-01-18T17:13:04Z 2024-01-18T17:13:04Z 2022 book ONIX_20240118_9789004512436_25 9789004512436 9789004508231 https://library.oapen.org/handle/20.500.12657/87103 eng application/pdf n/a 9789004512436.pdf https://brill.com/display/title/61750 Brill 10.1163/9789004512436 10.1163/9789004512436 af16fd4b-42a1-46ed-82e8-c5e880252026 9789004512436 9789004508231 open access |
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English |
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The songs of the Royal Zhōu (“Zhōu Nán” 周南) and of the Royal Shào (“Shào Nán” 召南) have formed a conceptual unit since at least the late Spring and Autumn period (771–453 BC). With this book Meyer and Schwartz provide a first complete reading of their earliest, Warring States (453–221 BC), iteration as witnessed by the Ānhuī University manuscripts. As a thought experiment, the authors seek to establish an emic reading of these songs, which they contextualise in the larger framework of studies of the Shī (Songs) and of meaning production during the Warring States period more broadly. The analysis casts light on how the Songs were used by different groups during the Warring States period. |
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2024 |
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https://brill.com/display/title/61750 |
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